Like: Poems; A.E. Stallings

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Like, that currency of social media, is a little word with infinite potential; it can be nearly any part of speech. Without it, there is no simile, that engine of the lyric poem, the lyre's note in the epic. A poem can hardly exist otherwise. In this new collection, her most ambitious to date, A. E. Stallings continues her archeology of the domestic, her odyssey through myth and motherhood in received and invented forms, from sonnets to syllabics. Stallings also eschews the poetry volume's conventional sections for the arbitrary order of the alphabet. Contemporary Athens itself, a place never dull during the economic and migration crises of recent years, shakes off the dust of history and emerges as a vibrant character.

Known for her wry and musical lyric poems, Stallings here explores her themes in greater depth, including the bravura performance Lost and Found, a meditation in ottava rima on a parent's sublunary dance with daily-ness and time, set in the moon's Valley of Lost Things.

September 25, 2018
About the Author
Alicia Elsbeth Stallings is an American poet and translator. She was named a 2011 MacArthur Fellow.

Stallings was born and raised in Decatur, Georgia and studied classics at the University of Georgia, and the University of Oxford. She is an editor with the Atlanta Review. In 1999, Stallings moved to Athens, Greece and has lived there ever since. She is the Poetry Program Director of the Athens Centre. She is married to John Psaropoulos, who is the editor of the Athens News.

Stallings' poetry uses traditional forms, and she has been associated with the New Formalism.

She is a frequent contributor of poems and essays to Poetry magazine. She has published three books of original verse, Archaic Smile (1999), Hapax (2006), and Olives (2012). In 2007 she published a verse translation of Lucretius' De Rerum Natura (The Nature of Things).
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