Poetry

This chapbook is a reflection of my life. I share memories both happy and scary, capturing where I came from physically, emotionally, and spiritually. I have always been seeking something eternal. I ran after people and longed for their approval. I participated in things that hurt my family and my relationships with friends. I did everything because I believed it brought me joy. Instead, it left me broken and wounded. I was looking for something that only God could give me, yet I searched in all the wrong places. Through poetry, I search for who I am now and was then.I invite you to join me now in that SEARCHING. September 3, 2024

FREEAIR BOOKS PUBLISHED J.D. Vail The poems within this collection are a vivid portrayal of the messiness inherent in human nature, capturing the nuances of joy, pain, love, heartbreak, resilience, and vulnerability. Each verse is an unapologetic exploration of the human condition, delving deep into the intricacies of relationships, introspection, and the ever-changing landscape of emotions.

A dazzling full-length collection of verse from one of the leading poets of our time.Over the past two decades, jessica Care moore has become a cultural force as a poet, performer, publisher, activist, and critic. Reflecting her transcendent electric voice, this searing poetry collection is filled with moving, original stanzas that speak to both Black women’s creative and intellectual power, and express the pain, sadness, and anger of those who suffer constant scrutiny because of their gender and race. Fierce and passionate, Jessica Care moore argues that Black women spend their lives building a physical and emotional shelter to protect themselves from misogyny, criminalization, hatred, stereotypes, sexual assault, objectification, patriarchy, and death threats.We Want Our Bodies Back is an exploration—and defiant stance against—these many attacks. March 31, 2020

NAACP Image Award Finalist for Outstanding Literary WorkFrom the poet, novelist, and cultural icon behind the award-winning and extraordinary Broadway play, for colored girls who have considered suicide/when the rainbow is enuf, comes “a kaleidoscopic journey through black womanhood” ( Publishers Weekly , starred review) and a moving bilingual collection of new and beloved poems.In this stirring collection of more than sixty original and selected poems in both English and Spanish, Ntozake Shange shares her utterly unique, unapologetic, and deeply emotional writing that has made her one of the most iconic literary figures of our time.With a clear, raw, and affecting voice, Shange draws from her experience as a feminist black woman in American to craft groundbreaking poetry about pain, beauty, and color. In the bestselling tradition of Rupi Kaur’s Milk and Honey , Wild Beauty is more than a poetry collection; it is an exquisite call to action for a new generation of women, people of color, feminists, and activists to follow in the author’s footsteps in the pursuit of equality and understanding. As The New York Times raves, “Ntozake Shange writes with such exquisite care and beauty that anyone can relate to her message.” November 14, 2017 About the Author Ntozake Shange (pronounced En-toe-ZAHK-kay SHONG-gay) was an African-American playwright, performance artist, and writer who is best known for her Obie Award winning play for colored girls who have considered suicide/when the rainbow is enuf.Among her honors and awards are fellowships from the Guggenheim Foundation and the Lila Wallace-Reader's Digest Fund, and a Pushcart Prize.

Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality the dangers experienced in skin and body and blood and a diagnosis of HIV positive. "Some of us are killed / in pieces," Smith writes, some of us all at once. Don't Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes America--"Dear White America"--where every day is too often a funeral and not often enough a miracle. September 5, 2017 About the Author Danez Smith is the author of [insert] boy (2014, YesYes Books), a finalist for the Lambda Literary Award and the Norma Farber First Book Award from the Poetry Society of America. Their 2nd collection will be published by Graywolf Press in 2017. Their work has published & featured widely including in Poetry Magazine, Beloit Poetry Journal, Buzzfeed, Blavity, & Ploughshares. They are a 2014 Ruth Lilly - Dorothy Sargent Rosenberg Fellow, a Cave Canem and VONA alum, and a recipient of a McKnight Foundation Fellowship. They are a 2-time Individual World Poetry Slam finalist, placing 2nd in 2014. They edit for The Offing & are a founding member of 2 collectives, Dark Noise and Sad Boy Supper Club. They live in the midwest most of the time.Danez was featured in American Academy of Poet's Emerging Writers Series by National Book Award Finalist Patricia Smith. Like her, Danez bridges the poetics of the stage to that of the page. Danez's work transcends arbitrary boundaries to present work that is gripping, dismantling of oppression constructs, and striking on the human heart. Often centered around intersections of race, class, sexuality, faith, and social justice, Danez uses rhythm, fierce raw power, and image to re-imagine the world as takes it apart in their work.

Both intimate and intricately structured Tramaine Suubi’s remarkable work is inspired by the moon—its phases’ effects on water, the Earth, and our bodies. Phases relishes in the beauty of change, even that caused by heartbreak. Suubi’s refreshing, vulnerable verse begs to be underlined, memorized, and shared; each of her poems operate as love letters to the cyclical healing that occurs in nature, in our bodies, and in the bodies that have come before us. January 28, 2025

What superstitions do you follow?In this collection of original poems, accomplished poet Janet S. Wong explores seventeen superstitions, some common, others that are less known, and delves into their origins as well as their lore. Rich, full-color illustrations by Julie Paschkis enhance each poem.The result from this award-winning team is sure to intrigue young readers and make them think again about things they often do, like opening an umbrella, walking under a ladder, or putting on a hat! September 1, 2003 About the Author Janet S. Wong was born in Los Angeles, and grew up in Southern and Northern California. As part of her undergraduate program at UCLA, she spent her junior year in France, studying art history at the Université de Bordeaux. When she returned from France, Janet founded the UCLA Immigrant Children's Art Project, a program focused on teaching refugee children to express themselves through art.After graduating from UCLA, summa cum laude, with a B.A. in History and College Honors, Janet then obtained her J.D. from Yale Law School, where she was a director of the Yale Law and Technology Association and worked for New Haven Legal Aid. After practicing corporate and labor law for a few years for GTE and Universal Studios Hollywood, she made a dramatic career change—choosing to write for young people instead. Her successful switch from law to children’s literature has been the subject of several articles and television programs, most notably an O Magazine article, a "Remembering Your Spirit" segment on "The Oprah Winfrey Show," and the Fine Living Channel’s "Radical Sabbatical."Janet's poems and stories have been featured in many textbooks and anthologies, and also in some more unusual venues. Poems from Behind the Wheel have been performed on a car-talk radio show. "Albert J. Bell" from A Suitcase of Seaweed was selected to appear on 5,000 subway and bus posters as part of the New York City Metropolitan Transit Authority's "Poetry in Motion" program, and was later highlighted on the Hallmark Channel’s "New Morning" show. And, in April 2003, Janet was one of five children’s authors invited to read at The White House Easter Egg Roll.Janet and her books have received numerous awards and honors, such as the International Reading Association's "Celebrate Literacy Award" for exemplary service in the promotion of literacy, and the prestigious Stone Center Recognition of Merit, given by the Claremont Graduate School. Janet also has been appointed to two terms on the Commission on Literature of the National Council of Teachers of English.Janet currently resides near Princeton, NJ, with her husband Glenn and her son Andrew.

This collection of original stories and poems provides rare insight into the minds of adolescent African American boys. There's Tow-Kaye, getting married at age seventeen to the love of his life, who's pregnant. James writes in his diary about his twin brother's terrible secret, while Tyler explains what it's like to be a player with the ladies. And Eric takes us on a tour of North Philly on the Fourth of July, when the heat could make a guy go crazy. Sharon G. Flake's talent for telling it like it is will leave readers thinking differently, feeling deeply, and definitely wanting more. February 16, 2010 About the Author Sharon G. Flake is the author of five books, The Skin I'm In (1998), Money Hungry (2002), Begging for Change (2003), Who Am I Without Him? Short Stories About Boys and the Girls in Their Lives (2004), Bang! (Sept. 2005), and her latest novel The Broken Bike Boy and the Queen of 33rd Street (2007).Her work is used in public and private schools around the nation, from elementary to high school, and is often required reading in colleges for students in education, child development, children's literature and English writing programs. Beyond that, her work is also a favorite among adults and adult book club readers.Flake and her work have won numerous awards and recognitions including: Best Books for Young Adult Readers; Quick Pick for Reluctant Readers; the New York Public Library Top Ten Books for the Teen Age; 2005 featured author in the Ninth Book of Junior Authors & Illustrators; 2005 Capitol Choices; Noteworthy Books for Children; 2004 Chicago Public Library's Best of the Best Book; 2004 Texas Lone Star Award for Top Ten Books; 2002, 2004 Coretta Scott King Honor Award; Pennsylvania Council of the Arts Grant; 2004 Bank Street Best of the Year; 2004 Bulletin Blue Ribbon Book; 2004 CCBC Choices; Booklist Top Ten Fantasy Book; 2004 Booklist Top Ten Romance Novels for Youth; 2004 Booklist Editor's Choice Award; 2003 Detroit Free LIbrary Author of the Year; 1999 YWCA Racial Justice Award; 1999 Coretta Scott King-John Steptoe New Talent Award and more.Flake's work appears on the Anti-Defamation League's website which stresses the use of children's literature to help educators address the problem of bullying in schools.Flake was born in Philadelphia, PA, but has resided in Pittsburgh, PA with her daughter for many years. She is a graduate of the University of Pittsburgh with a BA in English. For several years she was a youth counselor for a foster care agency, after which she spent 18 years working at the University of Pittsburgh in public relations. She has written numerous articles for national publications. Prior to having her first book published, she wrote for approximately 15 years.

What began as a playful idea among friends has made its way around the world, inspiring laughter, high-fives, hugs, and tears from New England to Brazil. Typewriter Rodeo celebrates poetry, spontaneity, and above all, the power of human connection.Both a visual feast and a reference book in the style of Brandon Stanton’s Humans of New York , Typewriter Rodeo collects custom, typewritten poems from “rodeos” worldwide, portraits of recipients, and their personal stories. Typewriter Rodeo began in Austin, Texas, when four poets brought their typewriters to a maker fair and began offering spontaneous, custom-composed poems to an enthusiastic crowd. The event quickly blossomed and rodeos began popping up all over the world. April 3, 2018

Foxglovewise is, at its core, a response to the singular experience of the loss of one’s parents. It begins at an Eastern Orthodox Epiphany ritual in Florida and ends in a cemetery in Los Angeles. Yet, as with Ange Mlinko’s other books of poetry, the collection uses geography as a trope for the ways in which we try to map out our lives and make them legible, even as poetry, music, and paintings suggest that much of what happens, or matters, to us is “not on the maps” (not to mention “the apps”). Whether it’s Europa borne over the waves, or gravestones bearing aliases rather than birth names, or books bequeathed to us by relatives in languages we can’t read, we live “up in the air” or “on the wing” and not in fixed coordinates.Mlinko's poetry is suffused with wit, erudition, beauty, and boundless energy. As Declan Ryan wrote of her work in The Times Literary Supplement, “A reader could be merely dazzled by all this surface stylishness . . . but then they would miss the heart beneath it all.” Foxglovewise is a direct line to the author’s heart. January 28, 2025

Sarai is a first-generation Puerto Rican eighth grader who can see with clarity the truth, pain, and beauty of the world both inside and outside her Bushwick apartment. Together with her older sister Estrella, she navigates the strain of family traumas and the systemic pressures of toxic masculinity and housing insecurity in a rapidly gentrifying Brooklyn. Sarai questions the society around her, her Boricua identity, and the life she lives with determination and an open heart, learning to celebrate herself in a way that she has been denied.When We Make It is a love letter to anyone who was taught to believe that they would not make it. To those who feel their emotions before they can name them. To those who still may not have all the language but they have their story. Velasquez’ debut novel is sure to leave an indelible mark on all who read it. September 21, 2021

While society often assigns the label “knucklehead” to kids with attitude problems, this brilliant and electric poetry collection subverts that narrow way of thinking, and empathizes with young people who are misunderstood, unheard, or ignored.There are poems about the power of language to transcend the racist and homophobic constructs of a society prejudging Black boys. There are poems that serve as a salve for a world that inflicts hurt, poems that offer a beacon of hope for the curious and questioning, and poems that transform the way people love Black gay boys and men.This is a journey of self-discovery through history, family, friendship, and falling in love. Knucklehead is a breathtaking work of art that will heal, provoke, and inspire. February 25, 2025

In the Hmong tradition, the song poet recounts the story of his people, their history and tragedies, joys and losses; extemporizing or drawing on folk tales, he keeps the past alive, invokes the spirits and the homeland, and records courtships, births, weddings, and wishes.Following her award-winning book The Latehomecomer, Kao Kalia Yang now retells the life of her father Bee Yang, the song poet, a Hmong refugee in Minnesota, driven from the mountains of Laos by America's Secret War. Bee lost his father as a young boy and keenly felt his orphanhood. He would wander from one neighbor to the next, collecting the things they said to each other, whispering the words to himself at night until, one day, a song was born. Bee sings the life of his people through the war-torn jungle and a Thai refugee camp. But the songs fall away in the cold, bitter world of a Minneapolis housing project and on the factory floor until, with the death of Bee's mother, the songs leave him for good. But before they do, Bee, with his poetry, has polished a life of poverty for his children, burnished their grim reality so that they might shine.Written with the exquisite beauty for which Kao Kalia Yang is renowned, The Song Poet is a love story -- of a daughter for her father, a father for his children, a people for their land, their traditions, and all that they have lost. May 10, 2016 About the Author Kao Kalia Yang is an award-winning Hmong-American writer. She is a graduate of Carleton College and Columbia University. Yang is the author of the memoirs The Latehomecomer: A Hmong Family Memoir and The Song Poet. The Latehomecomer is the first Asian American authored and centered book to be added to the roster of the Literature to Life Program and a National Endowment for the Arts Big Read title. The Song Poet has been commissioned as a youth opera by the Minnesota Opera and will premiere in the spring of 2021. Yang is also the author of the children’s books, A Map Into the World, The Shared Room, and The Most Beautiful Thing. She co-edited the ground-breaking collection What God is Honored Here?: Writings on Miscarriage and Infant Loss By and For Indigenous Women and Women of Color. Her newest title is Somewhere in the Unknown World, a collective memoir of refugee experiences. Yang’s literary nonfiction work has been recognized by the National Book Critics Circle Award, the Chautauqua Prize, the PEN USA literary awards, the Dayton’s Literary Peace Prize, and garnered three Minnesota Book awards. Her children’s books have been listed as an American Library Association Notable Book, a Zolotow Honor, a Kirkus Best Book of the Year, a finalist for the Midwest Independent Bookseller’s Award, and winner of a Minnesota Book Award in Children’s Literature. Kao Kalia Yang is a recipient of the International Institute of Minnesota’s Olga Zoltai Award for her community leadership and service to New Americans and the Ordway Center for the Performing Arts’ 2019 Sally Award for Social Impact.

“When life throws you a bag of sorrow, hold out your hands/Little by little, mountains are climbed.” So ends Kate Baer’s remarkable poem “Things My Girlfriends Teach Me.” In “Nothing Tastes as Good as Skinny Feels” she challenges her reader to consider their grandmother’s cake, the taste of the sea, the cool swill of freedom. In her poem “Deliverance” about her daughter’s birth she writes “What is the word for when the light leaves the body?/What is the word for when it/at last, returns?”Through poems that are as unforgettably beautiful as they are accessible, Kate proves herself to truly be an exemplary voice in modern poetry. As easy to post on Instagram as they are to print out and frame, Kate’s words make women feel seen in their own bodies, in their own marriages, and in their own lives. Her poems are those you share with your mother, your daughter, your sister, and your friends. November 10, 2020 About the Author Kate Baer is the 3x New York Times bestselling author of What Kind Of Woman, I Hope This Finds You Well, & And Yet. Her work has also been published in The New Yorker, Literary Hub, Huffington Post and The New York Times.

Charles Bukowski was a man of intense emotions, someone an editor once called a “passionate madman.” Alternating between tough and gentle, sensitive and gritty, Bukowski lays bare the myriad facets of love—its selfishness and its narcissism, its randomness, its mystery and its misery, and, ultimately, its true joyfulness, endurance, and redemptive power. January 1, 1977 About the Author Henry Charles Bukowski (born as Heinrich Karl Bukowski) was a German-born American poet, novelist and short story writer. His writing was influenced by the social, cultural and economic ambience of his home city of Los Angeles.It is marked by an emphasis on the ordinary lives of poor Americans, the act of writing, alcohol, relationships with women and the drudgery of work. Bukowski wrote thousands of poems, hundreds of short stories and six novels, eventually publishing over sixty booksCharles Bukowski was the only child of an American soldier and a German mother. At the age of three, he came with his family to the United States and grew up in Los Angeles. He attended Los Angeles City College from 1939 to 1941, then left school and moved to New York City to become a writer. His lack of publishing success at this time caused him to give up writing in 1946 and spurred a ten-year stint of heavy drinking. After he developed a bleeding ulcer, he decided to take up writing again. He worked a wide range of jobs to support his writing, including dishwasher, truck driver and loader, mail carrier, guard, gas station attendant, stock boy, warehouse worker, shipping clerk, post office clerk, parking lot attendant, Red Cross orderly, and elevator operator. He also worked in a dog biscuit factory, a slaughterhouse, a cake and cookie factory, and he hung posters in New York City subways.Bukowski published his first story when he was twenty-four and began writing poetry at the age of thirty-five. His first book of poetry was published in 1959; he went on to publish more than forty-five books of poetry and prose, including Pulp (1994), Screams from the Balcony (1993), and The Last Night of the Earth Poems (1992).He died of leukemia in San Pedro on March 9, 1994.

Felon tells the story of the effects of incarceration in fierce, dazzling poems—canvassing a wide range of emotions and experiences through homelessness, underemployment, love, drug abuse, domestic violence, fatherhood, and grace—and, in doing so, creates a travelogue for an imagined life. Reginald Dwayne Betts confronts the funk of postincarceration existence and examines prison not as a static space, but as a force that enacts pressure throughout a person’s life.The poems move between traditional and newfound forms with power and agility—from revolutionary found poems created by redacting court documents to the astonishing crown of sonnets that serves as the volume’s radiant conclusion. Drawing inspiration from lawsuits filed on behalf of the incarcerated, the redaction poems focus on the ways we exploit and erase the poor and imprisoned from public consciousness. Traditionally, redaction erases what is top secret; in Felon, Betts redacts what is superfluous, bringing into focus the profound failures of the criminal justice system and the inadequacy of the labels it generates. October 15, 2019 About the Author Reginald Dwayne Betts is a poet, essayist, and national spokesperson for the Campaign for Youth Justice. He writes and lectures about the impact of mass incarceration on American society. He is the author of three collections of poetry, Felon, Bastards of the Reagan Era, and Shahid Reads His Own Palm, as well as a memoir, A Question of Freedom. A graduate of Yale Law School, he lives in New Haven, Connecticut, with his wife and their two sons.

A searing debut YA poetry and essay collection about a Black cancer patient who faces medical racism after being diagnosed with leukemia in their early twenties, for fans of Audre Lorde's The Cancer Journals and Laurie Halse Anderson's Shout .When Walela is diagnosed at twenty-three with advanced stage blood cancer, they're suddenly thrust into the unsympathetic world of tubes and pills, doctors who don’t use their correct pronouns, and hordes of "well-meaning" but patronizing people offering unsolicited advice as they navigate rocky personal relationships and share their story online.But this experience also deepens their relationship to their ancestors, providing added support from another realm. Walela's diagnosis becomes a catalyst for their self-realization. As they fill out forms in the insurance office in downtown Los Angeles or travel to therapy in wealthier neighborhoods, they begin to understand that cancer is where all forms of their oppression intersect: Disabled. Fat. Black. Queer. Nonbinary.In Bless the Blood: A Cancer Memoir , the author details a galvanizing account of their survival despite the U.S. medical system, and of the struggle to face death unafraid. February 6, 2024 About the Author Walela Nehanda is a nonbinary cultural worker, stem cell transplant and cancer survivor, and mental health advocate born and based in Los Angeles, California.

Spanning over fifty years in the town of Cold Springs, this new work from an award-winning poet expands on the idea of memory and pushes the bounds of what poetry—and literature—can be. March 21, 2017

Confronting loss, historical intersections with race and family, and the threshold between childhood and adulthood, Smith gathers courage and direction from the many disparate selves encountered in these poems, until, as she writes, "I was anyone I wanted to be." October 1, 2003 About the Author Tracy K. Smith is the author of Wade in the Water; Life on Mars, winner of the Pulitzer Prize; Duende, winner of the James Laughlin Award; and The Body’s Question, winner of the Cave Canem Poetry Prize. She is also the editor of an anthology, American Journal: Fifty Poems for Our Time, and the author of a memoir, Ordinary Light, which was a finalist for the National Book Award. From 2017 to 2019, Smith served as Poet Laureate of the United States. She teaches at Princeton University.

The legendary Jack Johnson (1878–1946) was a true American creation. The child of emancipated slaves, he overcame the violent segregationism of Jim Crow, challenging white boxers—and white America—to become the first African-American heavyweight world champion. The Big Smoke, Adrian Matejka’s third work of poetry, follows the fighter’s journey from poverty to the most coveted title in sports through the multi-layered voices of Johnson and the white women he brazenly loved. Matejka’s book is part historic reclamation and part interrogation of Johnson’s complicated legacy, one that often misremembers the magnetic man behind the myth. May 28, 2013 About the Author Adrian Matejka was born in Nuremberg, Germany but grew up in California and Indiana. He is a graduate of Indiana University and the MFA program at Southern Illinois University Carbondale. His first collection of poems, The Devils Garden, won the 2002 Kinereth Gensler Award from Alice James Books. His second collection, Mixology, was a winner of the 2008 National Poetry Series and was published by Penguin Books in 2009. Mixology was subsequently nominated for an NAACP Image Award. He is a Cave Canem fellow and is the recipient of two Illinois Arts Council Literary Awards. His work has appeared or is forthcoming in American Poetry Review, The Best American Poetry 2010, Crab Orchard Review, Gulf Coast, Pleiades, and Prairie Schooner among other journals and anthologies. He teaches at Southern Illinois University Edwardsville where he serves as Poetry Editor for Souwester."

Dragons is a collection of sonorous, sensual poems from Devin Johnston, “one of the finest craftsmen of verse we have” (Michael Autrey, Booklist ). Attentive to both the physical world and our place in it, his arresting images of nature and human life ring with quiet power. An elegy for a ten-year-old hen; a fourth grader seeing a fox, his “fur waistcoat immaculate”; the sound of neighbors arguing set against the “pallid flames” of the setting together, such scenes form a resonant, restrained meditation on life’s journey and “the feeling of time.” March 13, 2023 About the Author Born in Canton, New York, Devin Johnston grew up in Winston-Salem and received his PhD from the University of Chicago. He is the author of several collections of poetry, including Far-Fetched (2015), Sources (2008), a finalist for the National Book Critics Circle Award, Aversions (2004), and Telepathy (2001). His prose writing includes the critical study Precipitations: Contemporary American Poetry as Occult Practice (2002) and Creaturely and Other Essays (2009). A former poetry editor for the Chicago Review from 1995-2000, Johnston co-founded and co-edits Flood Editions with Michael O’Leary.He lives in St. Louis and teaches at Saint Louis University.

Play with your words! A brand new poetic form that turns word puzzles into poetry. Part anagram, part rebus, part riddle--these poems capture a scene from a child's daily life and present a puzzle to solve. Sometimes sweet and sometimes funny, but always clever, these poems are fun to read and even more fun for kids to write. Bob Raczka is a fresh, new voice in children's poetry who knows that fun and games can turn a poetry lesson into lemonade! March 15, 2011

ENTER THE WATER follows a young man who becomes homeless when he is evicted from his flat in Cambridge during the turbulent early months of 2022. As the wind stirs, our narrator embarks on a journey from his park bench out towards the coast, wrapped in his 'big gay coat', accompanied by his pigeons, a blackbird and Storm Eunice - 'Nature' in colourfully alive and playful forms. Along the way he searches for a beauty inherent to all of us, and then calls us to reclaim it.ENTER THE WATER is a story invested in care - care towards the environment; towards the political realities of recession and the war in Ukraine; towards the dynamic self, the human whose love for swimming becomes synonymous with self-acceptance and survival; and to everyone, managing to manage.Walking along the edges of our troubled current affairs, animated by a spirit of cheerful protest, this book is an offering and an urgent invitation to exit and re-enter our world - and to celebrate our capacity for courage in times of suffering. October 5, 2023

In stunning verse and vivid use of white space, Erica Martin’s debut poetry collection walks readers through the Civil Rights Movement—from the well-documented events that shaped the nation’s treatment of Black people, beginning with the “Separate but Equal” ruling—and introduces lesser-known figures and moments that were just as crucial to the Movement and our nation's centuries-long fight for justice and equality.A poignant, powerful, all-too-timely collection that is both a vital history lesson and much-needed conversation starter in our modern world. Complete with historical photographs, author’s note, chronology of events, research, and sources. February 1, 2022 About the Author Erica Martin is a freelance editor and a poet. Her debut poetry collection, AND WE RISE, was released in February 2022 from Viking Books for Young Readers/Penguin Random House. It received two starred reviews and was an ABA Indies Introduce selection, as well as an ABA Indie Next pick. She was also one of three editors who oversaw the recently released poetry anthology POEMHOOD, from HarperTeen/HarperCollins, which highlights many award-winning and New York Times best-selling authors—including Kwame Alexander and Nikki Giovanni—and has received four starred reviews. Additionally, her poetry has been featured by Oprah Daily.

Catherine Barnett's tragicomic third collection, Human Hours, shuttles between a Whitmanian embrace of others and a kind of rapacious solitude. Barnett speaks from the middle of hope and confusion, carrying philosophy into the everyday. Watching a son become a young man, a father become a restless beloved shell, and a country betray its democratic ideals, the speakers try to make sense of such departures. Four lyric essays investigate the essential urge and appeal of questions that are “accursed,” that are limited—and unanswered—by answers. What are we to do with the endangered human hours that remain to us? Across the leaps and swerves of this collection, the fevered mind tries to slow—or at least measure—time with quiet bravura: by counting a lover’s breaths; by remembering a father’s space-age watch; by envisioning the apocalyptic future while bedding down on a hard, cold floor, head resting on a dictionary. Human Hours pulses with the absurd, with humor that accompanies the precariousness of the human condition. January 1, 2018 About the Author Catherine Barnett is the author of four poetry collections, including Solutions for the Problem of Bodies in Space, Human Hours, winner of the Believer Book Award, and The Game of Boxes, winner of the James Laughlin Award of the Academy of American Poets. She lives in New York City.

Afterland is a powerful, essential collection of poetry that recounts with devastating detail the Hmong exodus from Laos and the fate of thousands of refugees seeking asylum. Mai Der Vang is telling the story of her own family, and by doing so, she also provides an essential history of the Hmong culture’s ongoing resilience in exile. Many of these poems are written in the voices of those fleeing unbearable violence after U.S. forces recruited Hmong fighters in Laos in the Secret War against communism, only to abandon them after that war went awry. That history is little known or understood, but the three hundred thousand Hmong now living in the United States are living proof of its aftermath. With poems of extraordinary force and grace, Afterland holds an original place in American poetry and lands with a sense of humanity saved, of outrage, of a deep tradition broken by war and ocean but still intact, remembered, and lived. April 4, 2017

Young People’s Poet Laureate and National Book Award Finalist Naomi Shihab Nye’s uncommon and unforgettable voice offers readers peace, humor, inspiration, and solace. This volume of almost one hundred original poems is a stunning and engaging tribute to the diverse voices past and present that comfort us, compel us, lead us, and give us hope.“I think the air is full of voices. If we slow down and practice listening, we hear those voices better. They live on in us. Inspiration? We need it every day. We deserve it. It is essential, like food, water, clean air, shelter. Here are some poems celebrating the voices that have changed my life and continue to do so.”—Naomi Shihab Nye, Award-winning poet and authorVoices in the Air is a collection of almost one hundred original poems written by the award-winning poet Naomi Shihab Nye in honor of the artists, writers, poets, historical figures, ordinary people, and diverse luminaries from past and present who inspire her and us. Full of words of encouragement, solace, and hope, this collection offers a message of peace and empathy.Voices in the Air focuses on the inspirational people who strengthen and motivate us to create, to open our hearts, and to live rewarding and graceful lives. With short informational bios about the influential figures behind each poem, and a transcendent introduction by the poet, this is a collection to cherish, read again and again, and share with others.Featuring black-and-white spot art throughout, as well as brief bios of the “voices,” an index, and an introduction by the author. February 13, 2018 About the Author Naomi Shihab Nye was born to a Palestinian father and an American mother. During her high school years, she lived in Ramallah in Jordan, the Old City in Jerusalem, and San Antonio, Texas, where she later received her B.A. in English and world religions from Trinity University. She is a novelist, poet and songwriter.She currently lives in San Antonio, Texas. She was elected a Chancellor of the Academy of American Poets in 2010.

A poem in five books, of circular narrative design, titled with the Greek name for Homer, which simultaneously charts two currents of history: the visible history charted in events—the tribal losses of the American Indian, the tragedy of African enslavement—and the interior, unwritten epic fashioned from the suffering of the individual in exile. January 1, 1990

A stunning debut book of poems from a bold new voice unafraid to engage with the exigencies of our contemporary world. In Liz Howard’s wild, scintillating debut, the mechanisms we use to make sense of our worlds – even our direct intimate experiences of it – come under constant scrutiny and a pressure that feels like love. What Howard can accomplish with language strikes us as electric, a kind of alchemy of perception and catastrophe, fidelity and apocalypse. The waters of Northern Ontario shield country are the toxic origin and an image of potential. A subject, a woman, a consumer, a polluter; an erotic force, a confused brilliance, a very necessary form of urgency – all are loosely tethered together and made somehow to resonate with our own devotions and fears; made “to be small and dreaming parallel / to ceremony and decay.” Liz Howard is what contemporary poetry needs right now. April 14, 2015 About the Author LIZ HOWARD’s debut collection Infinite Citizen of the Shaking Tent won the 2016 Griffin Poetry Prize, was shortlisted for the 2015 Governor General’s Award for poetry, and was named a Globe and Mail top 100 book. A National Magazine Award finalist, her recent work has appeared in Canadian Literature, Literary Review of Canada, Room Magazine and Best Canadian Poetry 2021. Her second collection, Letters in a Bruised Cosmos, was published by McClelland & Stewart in June 2021. Howard received an Honours Bachelor of Science with High Distinction from the University of Toronto, and an MFA in Creative Writing from the University of Guelph. She served as the 2018-2019 Distinguished Canadian Writer in Residence at the University of Calgary and has completed creative writing and Indigenous arts residencies at UBC Kelowna, Douglas College, Sheridan College, and The Capilano Review. She is an Adjunct Professor and instructor in the Department English at the University of Toronto and a Poetry Editor for Buckrider Books, an imprint of Wolsak & Wynn. She is of mixed settler and Anishinaabe heritage. Born and raised on Treaty 9 territory in northern Ontario, she currently lives in Toronto.

From National Book Award finalist Amber McBride, a mystical, transcendent poetry collection about Black womanhood in the American SouthIn Thick with Trouble , award-winning poet Amber McBride interrogates if being “trouble”—difficult, unruly, powerful, defiant—is ultimately a weakness or an incomparable source of strength. Steeped in the hoodoo spiritual tradition and organized via reimagined tarot cards, this collection becomes a chorus of unapologetic women who laugh, cry, mesmerize, and bring outsiders to their knees. Summoning the supernatural to examine death, rebirth, and life outside the male gaze, Amber McBride has crafted a haunting, spellbinding, and strikingly original collection of poems that reckon with the force and complexity of Black womanhood. February 13, 2024

A breathtaking poetry collection on hope, heart, and heritage from the most prominent and promising Black poets and writers of our time, edited by Why Fathers Cry at Night author and #1 New York Times bestselling author Kwame Alexander. In this comprehensive and vibrant poetry anthology, bestselling author and poet Kwame Alexander curates a collection of contemporary anthems at turns tender and piercing and deeply inspiring throughout. Featuring work from well-loved poets such as Rita Dove, Jericho Brown, Warsan Shire, Ross Gay, Tracy K. Smith, Terrance Hayes, Morgan Parker, and Nikki Giovanni, This Is the Honey is a rich and abundant offering of language from the poets giving voice to generations of resilient joy, “each incantation,” as Mahogany L. Browne puts it in her titular poem, is “a jubilee of a people dreaming wildly.” This essential collection, in the tradition of Dudley Randall’s The Black Poets and E. Ethelbert Miller’s In Search of Color Everywhere, contains poems exploring joy, love, origin, race, resistance, and praise. Jacqueline A.Trimble likens “Black woman joy” to indigo, tassels, foxes, and peacock plumes. Tyree Daye, Nate Marshall, and Elizabeth Acevedo reflect on the meaning of “home” through food, from Cuban rice and beans to fried chicken gizzards. Clint Smith and Cameron Awkward-Rich enfold us in their intimate musings on love and devotion. From a “jewel in the hand” (Patricia Spears Jones) to “butter melting in small pools” (Elizabeth Alexander), This Is the Honey drips with poignant and delightful imagery, music, and raised fists. Fresh, memorable, and deeply moving, this definitive collection a must-have for any lover of language and a gift for our time. January 30, 2024 About the Author Kwame Alexander is a poet, educator, and New York Times Bestselling author of 21 books, including The Crossover, which received the 2015 John Newbery Medal for the Most Distinguished Contribution to American literature for Children, the Coretta Scott King Author Award Honor, The NCTE Charlotte Huck Honor, the Lee Bennett Hopkins Poetry Award, and the Passaic Poetry Prize. Kwame writes for children of all ages. His other works include Surf's Up, a picture book; Booked, a middle grade novel; and He Said She Said, a YA novel.Kwame believes that poetry can change the world, and he uses it to inspire and empower young people through his PAGE TO STAGE Writing and Publishing Program released by Scholastic. A regular speaker at colleges and conferences in the U.S., he also travels the world planting seeds of literary love (Singapore, Brazil, Italy, France, Shanghai, etc.). Recently, Alexander led a delegation of 20 writers and activists to Ghana, where they delivered books, built a library, and provided literacy professional development to 300 teachers, as a part of LEAP for Ghana, an International literacy program he co-founded.

Afghans revere poetry, particularly the high literary forms that derive from Persian or Arabic. But the poem above is a folk couplet—a landay, an ancient oral and anonymous form created by and for mostly illiterate people: the more than 20 million Pashtun women who span the border between Afghanistan and Pakistan. War, separation, homeland, love—these are the subjects of landays, which are brutal and spare, can be remixed like rap, and are powerful in that they make no attempts to be literary. From Facebook to drone strikes to the songs of the ancient caravans that first brought these poems to Afghanistan thousands of years ago, landays reflect contemporary Pashtun life and the impact of three decades of war. With the U.S. withdrawal in 2014 looming, these are the voices of protest most at risk of being lost when the Americans leave. After learning the story of a teenage girl who was forbidden to write poems and set herself on fire in protest, the poet Eliza Griswold and the photographer Seamus Murphy journeyed to Afghanistan to learn about these women and to collect their landays. The poems gathered in I Am the Beggar of the World express a collective rage, a lament, a filthy joke, a love of homeland, an aching longing, a call to arms, all of which belie any facile image of a Pashtun woman as nothing but a mute ghost beneath a blue burqa. April 1, 2014 About the Author Eliza Griswold is an American journalist and poet. She was a fellow at the New America Foundation from 2008 to 2010 and won a 2010 Rome Prize from the American Academy of Arts and Letters.

i think in spanishi write in englishi want to go back to puerto rico,but i wonder if my kink could livein ponce, mayagüez and carolinatengo las venas aculturadasescribo en spanglishabraham in español--from "My Graduation Speech," by Tato LavieraA new collection of bilingual poems from the bestselling editor of Cool SalsaTen years after the publication of the acclaimed Cool Salsa, editor Lori Marie Carlson has brought together a stunning variety of Latino poets for a long-awaited follow-up. Established and familiar names are joined by many new young voices, and Pulitzer Prize-winning novelist Oscar Hijuelos has written the Introduction.The poets collected here illuminate the difficulty of straddling cultures, languages, and identities. They celebrate food, family, love, and triumph. In English, Spanish, and poetic jumbles of both, they tell us who they are, where they are, and what their hopes are for the future. April 1, 2005 About the Author Lori Marie Carlson was born in Jamestown, New York. She went to college at Indiana University, earning a MA in Hispanic Literature. She has taught at several universities.Carlson has written several books for children and young adults, including Cool Salsa and Sol a Sol. The Sunday Tertulia is her first novel for adults.

WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. “I am,” she writes, “a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation—and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live.” This strident, plaintive book introduces a major new voice in contemporary literature. March 7, 2017 About the Author Layli Long Soldier is the author of WHERREAS, which won the National Book Critics Circle Award and the PEN/Jean Stein Award and was a finalist for the National Book Award. She is a citizen of the Oglala Lakota Nation and lives in Santa Fe, New Mexico.

A reinvestigation of chemical biological weapons dropped on the Hmong people in the fallout of the Vietnam WarIn this staggering work of documentary, poetry, and collage, Mai Der Vang reopens a wrongdoing that deserves a new reckoning. As the United States abandoned them at the end of the Vietnam War, many Hmong refugees recounted stories of a mysterious substance that fell from planes during their escape from Laos starting in the mid-1970s. This substance, known as “yellow rain,” caused severe illnesses and thousands of deaths. These reports prompted an investigation into allegations that a chemical biological weapon had been used against the Hmong in breach of international treaties. A Cold War scandal erupted, wrapped in partisan debate around chemical arms development versus control. And then, to the world’s astonishment, American scientists argued that yellow rain was the feces of honeybees defecating en masse―still held as the widely accepted explanation. The truth of what happened to the Hmong, to those who experienced and suffered yellow rain, has been ignored and discredited.Integrating archival research and declassified documents, Yellow Rain calls out the erasure of a history, the silencing of a people who at the time lacked the capacity and resources to defend and represent themselves. In poems that sing and lament, that contend and question, Vang restores a vital narrative in danger of being lost, and brilliantly explores what it means to have access to the truth and how marginalized groups are often forbidden that access. September 21, 2021

Fresh and electrifying—stories, poems, and essays by African and diaspora writers, edited by author Nana Ekua Brew-Hammond. Relations punctures the human illusion of separation. New and established storytellers reshape the narratives that divide and subjugate, revealing the truth of our shared humanity despite differences in language, identity, class, gender, and beyond. This vital anthology is Nana Ekua Brew-Hammond’s striking vision of a meeting place of perspectives, centered in the African and diaspora experience. In a post- Black Panther world, it is an urgent and welcome embrace of the diversity of Blackness. A refreshing collection of genre-spanning literature, it offers a vibrant meditation on being—inviting connection across real and imagined borders, and celebration of the most profound relations. January 17, 2023 About the Author Nana Ekua Brew-Hammond's first book Powder Necklace (Washington Square Press 2010) is a YA tome loosely inspired by her experience attending a girls’ boarding school in the Central Region of Ghana, West Africa. Publishers Weekly called the book “a winning debut” while Library Journal recommended it "for readers who enjoyed Edwidge Danticat's Breath, Eyes, Memory or Chimamanda Ngozi Adichie's Purple Hibiscus".In 2014, she was included among some of the most promising African authors under 39 in the Hay Festival-Rainbow Book Club Project Africa39: New Writing from Africa South of the Sahara (Bloomsbury). The Africa39 anthology was published in celebration of UNESCO's designation of Port Harcourt, Nigeria as 2014 World Book Capital. Most recently, she was shortlisted for the 2014 Miles Morland Writing Scholarship.Also a style & culture writer, Brew-Hammond has been featured on MSNBC, NY1, SaharaTV, and ARISE TV, and been published in EBONY Magazine, Ethiopian Airlines' Selamata Magazine, EBONY.com, The Village Voice, on NBC's thegrio.com, and MadameNoire.com, among other outlets.

In his village in Upper Kwanta, 11-year-old Kofi loves his family, playing oware with his grandfather and swimming in the river Offin. He’s warned though, to never go to the river at night. His brother tells him ”There are things about the water you do not know." “Like what?" Kofi asks. “The beasts,” his brother answers. One fateful night, the unthinkable happens, and in a flash, Kofi’s world turns upside down. Kofi soon ends up in a fight for his life and what happens next will send him on a harrowing journey across land and sea, and away from everything he loves. This spellbinding novel by the author of The Crossover and Booked will take you on an unforgettable adventure that will open your eyes and break your heart. The Door of No Return is an excellent choice for independent reading, sharing in the classroom, homeschooling, and book groups. September 27, 2022 About the Author Kwame Alexander is a poet, educator, and New York Times Bestselling author of 21 books, including The Crossover, which received the 2015 John Newbery Medal for the Most Distinguished Contribution to American literature for Children, the Coretta Scott King Author Award Honor, The NCTE Charlotte Huck Honor, the Lee Bennett Hopkins Poetry Award, and the Passaic Poetry Prize. Kwame writes for children of all ages. His other works include Surf's Up, a picture book; Booked, a middle grade novel; and He Said She Said, a YA novel.Kwame believes that poetry can change the world, and he uses it to inspire and empower young people through his PAGE TO STAGE Writing and Publishing Program released by Scholastic. A regular speaker at colleges and conferences in the U.S., he also travels the world planting seeds of literary love (Singapore, Brazil, Italy, France, Shanghai, etc.). Recently, Alexander led a delegation of 20 writers and activists to Ghana, where they delivered books, built a library, and provided literacy professional development to 300 teachers, as a part of LEAP for Ghana, an International literacy program he co-founded.

Lula Viramontes dreams of one day becoming someone whom no one can ignore: a daring ringleader in a Mexican traveling carpa, despite her father's traditional views of what girls should be. When her family arrives for the grape harvest in Delano, California, Lula meets activist Dolores Huerta and el Teatro Campesino (the official theater company of the United Farm Workers). She discovers an even more pressing reason to raise her voice: the upcoming farm workers' strike, an event that will determine her family's future--for better or worse. October 25, 2022

Across three sequences, Joshua Bennett's new book recalls and reimagines social worlds almost but not entirely lost, all while gesturing toward the ones we are building even now, in the midst of a state of emergency, together. Bennett opens with a set of autobiographical poems that deal with themes of family, life, death, vulnerability, and the joys and dreams of youth. The central section, "The Book of Mycah," features an alternate history where Malcolm X is resurrected from the dead, as is a young black man shot by the police some fifty years later in Brooklyn. The final section of The Study of Human Life are poems that Bennett has written about fatherhood, on the heels of his own first child being born last fall. September 20, 2022 About the Author Joshua Bennett received his Ph.D. in English from Princeton University. He also holds an M.A. in Theatre and Performance Studies from the University of Warwick, where he was a Marshall Scholar. In 2010, he delivered the Commencement Address at the University of Pennsylvania, from which he graduated with the distinctions of Phi Beta Kappa and magna cum laude.Winner of the 2015 National Poetry Series, Dr. Bennett has received fellowships from the Callaloo Creative Writing Workshop, Cave Canem, the Josephine de Karman Fellowship Trust, and the Ford Foundation. His writing has been published or is forthcoming in Boston Review, Callaloo, The Kenyon Review, Poetry and elsewhere. He has recited his original work at venues such as the Sundance Film Festival, the NAACP Image Awards, and President Obama’s Evening of Poetry and Music at The White House. He is currently a member of the Society of Fellows at Harvard University.

In poems that range from wry, tongue-in-cheek observations about contemporary life to more nuanced meditations on her ancestors--some of the earliest Black pioneers to settle in the western United States after Reconstruction--Golden Ax invites readers to re-imagine the West, Black womanhood, and the legacies that shape and sustain the pursuit of freedom. August 30. 2022 About the Author Rio Cortez is the New York Times bestselling author of picture books The ABCs of Black History (Workman, 2020) and The River Is My Sea (S&S, 2024). Her debut poetry collection, Golden Ax, is forthcoming from Penguin Poets this August, 2022.

n Oculus, Sally Wen Mao explores exile not just as a matter of distance and displacement but as a migration through time and a reckoning with technology. The title poem follows a nineteen-year-old girl in Shanghai who uploaded her suicide onto Instagram. Other poems cross into animated worlds, examine robot culture, and haunt a necropolis for electronic waste. A fascinating sequence spanning the collection speaks in the voice of the international icon and first Chinese American movie star Anna May Wong, who travels through the history of cinema with a time machine, even past her death and into the future of film, where she finds she has no progeny. With a speculative imagination and a sharpened wit, Mao powerfully confronts the paradoxes of seeing and being seen, the intimacies made possible and ruined by the screen, and the many roles and representations that women of color are made to endure in order to survive a culture that seeks to consume them. January 15, 2019 About the Author Sally Wen Mao is the author of Mad Honey Symposium (Alice James Books, 2014), the winner of the 2012 Kinereth Gensler Award. Her work has been anthologized in The Best American Poetry 2013 and the Pushcart Prize Anthology. She has a forthcoming book, Oculus, out from Graywolf Press in 2019.

The new collection by the Lebanese poet Vénus Khoury-Ghata, the author of She Says, a finalist for the National Book Critics Circle Awardit could only have been elsewherethe sun's anger overturned the countrymen who came from the wounded side of the river knockedon our bordersI say men so as not to say locusts—from "Nettles"In Nettles, Vénus Khoury-Ghata brings her impulses for lyric poetry and for stark narrative together into four enchanting sequences. Each confronts the realities of womanhood, immigration, and cultural conflict with an imagination and history born from both the Arabic and French languages. Masterfully translated byMarilyn Hacker, Nettles gives American readers this utterly original, indispensable poetry. January 8, 2007 About the Author Vénus Khoury-Ghata is a Lebanese poet and novelist, resident in France since 1973. Her work has been translated into Arabic, Dutch, German, Italian and Russian, and she was named a Chevalier de la Légion d’Honneur in 2000.

In Customs , Solmaz Sharif examines what it means to exist in the nowhere of the arrivals terminal, a continual series of checkpoints, officers, searches, and questionings that become a relentless experience of America. With resignation and austerity, these poems trace a pointed indoctrination to the customs of the nation-state and the English language, and the realities they impose upon the imagination, the paces they put us through. While Sharif critiques the culture of performed social skills and poetry itself―its foreclosures, affects, successes―she begins to write her way out to the other side of acceptability and toward freedom.Customs is a brilliant, excoriating new collection by a poet whose unfolding works are among the groundbreaking literature of our time. March 1, 2022 About the Author Born in Istanbul to Iranian parents, Solmaz Sharif holds degrees from U.C. Berkeley, where she studied and taught with June Jordan’s Poetry for the People, and New York University. Her work has appeared in The New Republic, Poetry, The Kenyon Review, jubilat, Gulf Coast, Boston Review, Witness, and others. The former managing director of the Asian American Writers’ Workshop, her work has been recognized with a “Discovery”/Boston Review Poetry Prize, scholarships the Bread Loaf Writers’ Conference, a winter fellowship at the Fine Arts Work Center in Provincetown, an NEA fellowship, and a Stegner Fellowship. She has most recently been selected to receive a 2014 Rona Jaffe Foundation Writer’s Award as well as a Ruth Lilly and Dorothy Sargent Rosenberg Fellowship. She is currently a lecturer at Stanford University. Her first poetry collection, LOOK, published by Graywolf Press in 2016, was a finalist for the National Book Award.

What is the experience of Black men in Britain today? Never has the conversation about racism and inclusion been more important; there is no better time to explore this question and give Black British men a platform to answer it. 20 Ways to be a Black Man in Britain Today is that platform. Including essays from top poets, writers, musicians, actors and journalists, this timely and accessible book is in equal parts a celebration, a protest, a call to arms, and a dismantling of the stereotypes surrounding being a Black man. What does it really mean to reclaim and hold space in the landscape of our society?Where do Black men belong in school, in the media, in their own families, in the conversation about mental health, in the LGBTQ+ community, in grime music - and how can these voices inspire, educate and add to the dialogue of diversity already taking place? Following on from discussions raised by Natives and Why I'm No Longer Talking to White People About Race , this collection takes readers on a rich and varied path to confront and question the position of Black men in Britain today, and shines a light on the way forward. March 7, 2019 About the Author Derek Owusu is an award-winning writer and poet from North London.He has written for the BBC, ITV, Granta, Esquire, GQ and Tate Britain.In 2019, Owusu collated, edited and contributed to SAFE: On Black British Men Reclaiming Space, an anthology exploring the experiences of Black men in Britain.His first novel, That Reminds Me, and the first work of fiction to be published by Stormzy’s Merky Books imprint, won the Desmond Elliott Prize for best debut novel published in the UK and Ireland.His second novel, Losing the Plot, was published in 2022 and was Longlisted for the Dylan Thomas Prize and Jhalak Prize.In 2023 he was selected as one of Granta's Best of Young British Novelists.He holds an MA in creative writing from Brunel University.

Much-honored Washington, D.C. poet activist E. Ethelbert Miller delights and surprises us with his deft imaginings and portraits. Ethelbert’s poems play out in baseball rhythm and express the joy of living, despite the bitter challenges in today’s world. These poems define our time and allow us to see ourselves as human through the lens of baseball, family and music.When Your Wife Has Tommy John Surgery and Other Baseball Stories is Miller's second book of baseball poems. Here he touches new bases. There are poems about Marcel Duchamp and Ornette Coleman as well as Whitey Ford and Don Larsen. Miller's poems move the outdoor game indoors where there are moments of disappointment and despair. Baseball can be a blues game. Tommy John surgery is a way of holding onto hope. Many of these poems were written during the Covid pandemic. They beckon fans back to the ballpark. They remind us to enjoy a game that is precious and maybe even essential to our wellness. Coming after If God Invented Baseball, Miller seems to emerge from a literary dugout after a brief rain delay, ready to celebrate the American pastime again. September 7, 2021

For Chicago's Oak Park and River Forest High School's Spoken Word Club, there is one phrase that reigns supreme: Respect the Mic. It's been the club's call to arms since its inception in 1999. As its founder Peter Kahn says, It's a call of pride and history and tradition and hope.This vivid new collection of poetry and prose -- curated by award-winning and bestselling poets Hanif Abdurraqib, Franny Choi, Peter Kahn, and Dan Sully Sullivan -- illuminates just that, uplifting the incredible legacy this community has cultivated. Among the dozens of current students and alumni, Respect the Mic features work by NBA star Iman Shumpert, National Youth Poet Laureates Kara Jackson and Natalie Richardson, comedian Langston Kerman, and more.In its pages, you hear the sprawling echoes of students, siblings, lovers, new parents, athletes, entertainers, scientists, and more --all sharing a deep appreciation for the power of storytelling. A celebration of the past, a balm for the present, and a blueprint for the future, Respect the Mic offers a tender, intimate portrait of American life, and conveys how in a world increasingly defined by separation, poetry has the capacity to bind us together. February 1, 2022 About the Author Hanif Abdurraqib is a poet, essayist, and cultural critic from Columbus, Ohio. His poetry has been published in Muzzle, Vinyl, PEN American, and various other journals. His essays and music criticism have been published in The FADER, Pitchfork, The New Yorker, and The New York Times. His first full length poetry collection, The Crown Ain't Worth Much, was released in June 2016 from Button Poetry. It was named a finalist for the Eric Hoffer Book Prize, and was nominated for a Hurston-Wright Legacy Award. With Big Lucks, he released a limited edition chapbook, Vintage Sadness, in summer 2017 (you cannot get it anymore and he is very sorry.) His first collection of essays, They Can't Kill Us Until They Kill Us, was released in winter 2017 by Two Dollar Radio and was named a book of the year by Buzzfeed, Esquire, NPR, Oprah Magazine, Paste, CBC, The Los Angeles Review, Pitchfork, and The Chicago Tribune, among others. He released Go Ahead In The Rain: Notes To A Tribe Called Quest with University of Texas press in February 2019. The book became a New York Times Bestseller, and was met with critical acclaim. His second collection of poems, A Fortune For Your Disaster, was released in 2019 by Tin House. He is a graduate of Beechcroft High School.

This poem is a love letter to black life in the United States. It highlights the unspeakable trauma of slavery, the faith and fire of the civil rights movement, and the grit, passion, and perseverance of some of the world's greatest heroes. The text is also peppered with references to the words of Martin Luther King, Jr., Langston Hughes, Gwendolyn Brooks, and others, offering deeper insights into the accomplishments of the past, while bringing attention to the endurance and spirit of those surviving and thriving in the present. April 2, 2019 About the Author Kwame Alexander is a poet, educator, and New York Times Bestselling author of 21 books, including The Crossover, which received the 2015 John Newbery Medal for the Most Distinguished Contribution to American literature for Children, the Coretta Scott King Author Award Honor, The NCTE Charlotte Huck Honor, the Lee Bennett Hopkins Poetry Award, and the Passaic Poetry Prize. Kwame writes for children of all ages. His other works include Surf's Up, a picture book; Booked, a middle grade novel; and He Said She Said, a YA novel.Kwame believes that poetry can change the world, and he uses it to inspire and empower young people through his PAGE TO STAGE Writing and Publishing Program released by Scholastic. A regular speaker at colleges and conferences in the U.S., he also travels the world planting seeds of literary love (Singapore, Brazil, Italy, France, Shanghai, etc.). Recently, Alexander led a delegation of 20 writers and activists to Ghana, where they delivered books, built a library, and provided literacy professional development to 300 teachers, as a part of LEAP for Ghana, an International literacy program he co-founded.

In a new collection that is "a force of nature" (Amy Gerstler), renowned Native poet Heid E. Erdrich applies her rich inventive voice and fierce wit to the deforming effects of harassment and oppression.Little Big Bully begins with a question asked of a collective and troubled we - how did we come to this? In answer, this book offers personal myth, American and Native American contexts, and allegories driven by women's resistance to narcissists, stalkers, and harassers. These poems are immediate, personal, political, cultural, even futuristic object lessons. What is truth now? Who are we now? How do we find answers through the smoke of human destructiveness? The past for Indigenous people, ecosystem collapse from near-extinction of bison, and the present epidemic of missing and murdered Indigenous women underlie these poems. Here, survivors shout back at useless cautionary tales with their own courage and visions of future worlds made well. October 6, 2020 About the Author Heid E. Erdrich writes and publishes poetry and non-fiction. Her NEW book of poems, Cell Traffic, a new and selected from University of Arizona Press, IS NOW AVAILABLE. Please consider buying it from www.birchbarkbooks.comHeid's most recent book of poems, National Monuments from Michigan State University Press, won the 2009 Minnesota Book Award. Heid Erdrich teaches writing workshops, often as a guest at various colleges and universities. Each year she leads the Turtle Mountain Writers Workshop on her home reservation in North Dakota. Heid also works with American Indian visual artists as a curator and arts advocate. Author of the play "Curiosities," she collaborates broadly on multi-discilinary performances of other artists as well.Founder of Wiigwaas Press, along with her sister Louise Erdrich and poet James Cihlar, Heid continues to publish Ojibwe language books in an effort to assist in indigenous language revitalization work.

Winner of the 2007 Pulitzer Prize for Poetry Former U.S. Poet Laureate, Natasha Trethewey’s Native Guard is a deeply personal volume that brings together two legacies of the Deep South. Through elegaic verse that honors her mother and tells of her own fraught childhood, Natasha Trethewey confronts the racial legacy of her native Deep South—--where one of the first black regiments, The Louisiana Native Guards, was called into service during the Civil War. The title of the collection refers to the black regiment whose role in the Civil War has been largely overlooked by history. As a child in Gulfport, Mississippi, in the 1960s, Trethewey could gaze across the water to the fort on Ship Island where Confederate captives once were guarded by black soldiers serving the Union cause. The racial legacy of the South touched Trethewey’s life on a much more immediate level, too. Many of the poems in Native Guard pay loving tribute to her mother, whose marriage to a white man was illegal in her native Mississippi in the 1960s. Years after her mother’s tragic death, Trethewey reclaims her memory, just as she reclaims the voices of the black soldiers whose service has been all but forgotten. Trethewey's resonant and beguiling collection is a haunting conversation between personal experience and national history. March 1, 2006 About the Author Natasha Trethewey is an American poet who was appointed United States Poet Laureate in June 2012; she began her official duties in September. She won the 2007 Pulitzer Prize in Poetry for her 2006 collection Native Guard, and she is the Poet Laureate of Mississippi.

A powerful, timely, dazzling new collection of poems from Terrance Hayes, the National Book Award–winning author of Lighthead —to be published simultaneously with his latest work of literary criticism, Watch Your LanguageThe three sections of Terrance Hayes’ seventh collection explore how we see ourselves and our world, mapping the strange and lyrical grammar of thinking and feeling. In “Watch Your Mouth,” a tree frog sings to overcome its fear of birds; in “Watch Your The Kafka Virus,” a talking cat tells jokes in the Jim Crow South; in “Watch Your Head,“ green beans bling in the mouth of Lil Wayne, and Bob Ross paints your portrait. On the one hand, these fabulous fables, American sonnets, quarantine quatrains, and ekphrastic do-it-yourself sestinas animate what Toni Morrison called “the writerly imagination of a black author who is at some level always conscious of representing one’s own race.” On the other hand, these urgent, personal poems contemplate fatherhood, history, and longing with remarkable openness and humanity. So To Speak is the mature, restless work of one of contemporary poetry’s leading voices. July 18, 2023 About the Author Terrance Hayes is the author of six poetry collections, including American Sonnets for My Past and Future Assassin, How to Be Drawn, and Lighthead, which won the National Book Award. He is a MacArthur Fellow and teaches at the University of Pittsburgh.

In this powerful sequence of TV images and essay, Claudia Rankine explores the personal and political unrest of our volatile new century.I forget things too. It makes me sad. Or it makes me the saddest. The sadness is not really about George W. or our American optimism; the sadness lives in the recognition that a life cannot matter.The award-winning poet Claudia Rankine, well known for her experimental multigenre writing, fuses the lyric, the essay, and the visual in this politically and morally fierce examination of solitude in the rapacious and media-driven assault on selfhood that is contemporary America. With wit and intelligence, Rankine strives toward an unprecedented clarity-of thought, imagination, and sentence-making-while arguing that recognition of others is the only salvation for ourselves, our art, and our government.Don't Let Me Be Lonely is an important new confrontation with our culture, with a voice at its heart bewildered by its inadequacy in the face of race riots, terrorist attacks, medicated depression, and the antagonism of the television that won't leave us alone. January 1, 2004 About the Author Claudia Rankine is an American poet and playwright born in 1963 and raised in Kingston, Jamaica and New York City.Rankine is the author of five collections of poetry, including "Citizen: An American Lyric" and "Don’t Let Me Be Lonely"; two plays including "The White Card," which premiered in February 2018 (ArtsEmerson and American Repertory Theater) and will be published with Graywolf Press in 2019, and "Provenance of Beauty: A South Bronx Travelogue"; as well as numerous video collaborations. She is also the editor of several anthologies including "The Racial Imaginary: Writers on Race in the Life of the Mind." In 2016, she cofounded The Racial Imaginary Institute. Among her numerous awards and honors, Rankine is the recipient of the Bobbitt National Prize for Poetry and the Poets & Writers’ Jackson Poetry Prize as well as fellowships from the Guggenheim Foundation, the Lannan Foundation, the MacArthur Foundation, United States Artists and the National Endowment of the Arts. She is a chancellor of the Academy of American Poets and teaches at Yale University as the Frederick Iseman Professor of Poetry. She lives in New Haven, Connecticut.(source: Arizona State University)

As everyday white supremacy becomes increasingly vocalized with no clear answers at hand, how best might we approach one another? Claudia Rankine, without telling us what to do, urges us to begin the discussions that might open pathways through this divisive and stuck moment in American history.Just Us is an invitation to discover what it takes to stay in the room together, even and especially in breaching the silence, guilt, and violence that follow direct addresses of whiteness. Rankine's questions disrupt the false comfort of our culture's liminal and private spaces--the airport, the theater, the dinner party, the voting booth--where neutrality and politeness live on the surface of differing commitments, beliefs, and prejudices as our public and private lives intersect.This brilliant arrangement of essays, poems, and images includes the voices and rebuttals of others: white men in first class responding to, and with, their white male privilege; a friend's explanation of her infuriating behavior at a play; and women confronting the political currency of dying their hair blond, all running alongside fact-checked notes and commentary that complements Rankine's own text, complicating notions of authority and who gets the last word.Sometimes wry, often vulnerable, and always prescient, Just Us is Rankine's most intimate work, less interested in being right than in being true, being together. September 8, 2020 About the Author Claudia Rankine is an American poet and playwright born in 1963 and raised in Kingston, Jamaica and New York City.Rankine is the author of five collections of poetry, including "Citizen: An American Lyric" and "Don’t Let Me Be Lonely"; two plays including "The White Card," which premiered in February 2018 (ArtsEmerson and American Repertory Theater) and will be published with Graywolf Press in 2019, and "Provenance of Beauty: A South Bronx Travelogue"; as well as numerous video collaborations. She is also the editor of several anthologies including "The Racial Imaginary: Writers on Race in the Life of the Mind." In 2016, she cofounded The Racial Imaginary Institute. Among her numerous awards and honors, Rankine is the recipient of the Bobbitt National Prize for Poetry and the Poets & Writers’ Jackson Poetry Prize as well as fellowships from the Guggenheim Foundation, the Lannan Foundation, the MacArthur Foundation, United States Artists and the National Endowment of the Arts. She is a chancellor of the Academy of American Poets and teaches at Yale University as the Frederick Iseman Professor of Poetry. She lives in New Haven, Connecticut.(source: Arizona State University)

A collection of intersecting stories set at a powwow that bursts with hope, joy, resilience, the strength of community, and Native pride.In a high school gym full of color and song, Native families from Nations within the borders of the U.S. and Canada dance, sell beadwork and books, and celebrate friendship and heritage. They are the heroes of their own stories.Featured contributors: Joseph Bruchac, Art Coulson, Christine Day, Eric Gansworth, Dawn Quigley, Carole Lindstrom, Rebecca Roanhorse, David A. Robertson, Andrea L. Rogers, Kim Rogers, Cynthia Leitich Smith, Monique Gray Smith, Traci Sorell, Tim Tingle, Erika T. Wurth, and Brian Young. February 9, 2021 About the Author Cynthia Leitich Smith is a best-selling, award-winning children’s-YA writer, writing teacher, a NSK Neustadt Laureate, and the author-curator of the Native-centered Heartdrum imprint at HarperCollins Children’s Books.

A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking book Don't Let Me Be Lonely: An American Lyric.Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society. October 7, 2014 About the Author Claudia Rankine is an American poet and playwright born in 1963 and raised in Kingston, Jamaica and New York City.Rankine is the author of five collections of poetry, including "Citizen: An American Lyric" and "Don’t Let Me Be Lonely"; two plays including "The White Card," which premiered in February 2018 (ArtsEmerson and American Repertory Theater) and will be published with Graywolf Press in 2019, and "Provenance of Beauty: A South Bronx Travelogue"; as well as numerous video collaborations. She is also the editor of several anthologies including "The Racial Imaginary: Writers on Race in the Life of the Mind." In 2016, she cofounded The Racial Imaginary Institute. Among her numerous awards and honors, Rankine is the recipient of the Bobbitt National Prize for Poetry and the Poets & Writers’ Jackson Poetry Prize as well as fellowships from the Guggenheim Foundation, the Lannan Foundation, the MacArthur Foundation, United States Artists and the National Endowment of the Arts. She is a chancellor of the Academy of American Poets and teaches at Yale University as the Frederick Iseman Professor of Poetry. She lives in New Haven, Connecticut.

With allusions to David Bowie and interplanetary travel, Life on Mars imagines a soundtrack for the universe to accompany the discoveries, failures, and oddities of human existence. In these new poems, Tracy K. Smith envisions a sci-fi future sucked clean of any real dangers, contemplates the dark matter that keeps people both close and distant, and revisits the kitschy concepts like “love” and “illness” now relegated to the Museum of Obsolescence. These poems reveal the realities of life lived here, on the ground, where a daughter is imprisoned in the basement by her own father, where celebrities and pop stars walk among us, and where the poet herself loses her father, one of the engineers who worked on the Hubble Space Telescope. May 10, 2011 About the Author Tracy K. Smith is the author of Wade in the Water; Life on Mars, winner of the Pulitzer Prize; Duende, winner of the James Laughlin Award; and The Body’s Question, winner of the Cave Canem Poetry Prize. She is also the editor of an anthology, American Journal: Fifty Poems for Our Time, and the author of a memoir, Ordinary Light, which was a finalist for the National Book Award. From 2017 to 2019, Smith served as Poet Laureate of the United States. She teaches at Princeton University.

Electric Arches is an imaginative exploration of Black girlhood and womanhood through poetry, visual art, and narrative prose. Blending stark realism with the surreal and fantastic, Eve L. Ewing’s narrative takes us from the streets of 1990s Chicago to an unspecified future, deftly navigating the boundaries of space, time, and reality. Ewing imagines familiar figures in magical circumstances―blues legend Koko Taylor is a tall-tale hero; LeBron James travels through time and encounters his teenage self. She identifies everyday objects―hair moisturizer, a spiral notebook―as precious icons. Her visual art is spare, playful, and poignant―a cereal box decoder ring that allows the wearer to understand what Black girls are saying; a teacher’s angry, subversive message scrawled on the chalkboard. Electric Arches invites fresh conversations about race, gender, the city, identity, and the joy and pain of growing up. Eve L. Ewing is a writer, scholar, artist, and educator from Chicago. Her work has appeared in Poetry, The New Yorker, New Republic, The Nation, The Atlantic , and many other publications. She is a sociologist at the University of Chicago School of Social Service Administration. August 21, 2017 About the Author Dr. Eve Louise Ewing is a writer and a sociologist of education from Chicago. Ewing is a prolific writer across multiple genres. Her 2018 book Ghosts in the Schoolyard: Racism & School Closings on Chicago's South Side explores the relationship between the closing of public schools and the structural history of race and racism in Chicago's Bronzeville community.Ewing's first collection of poetry, essays, and visual art, Electric Arches, was published by Haymarket Books in 2017. Her second collection, 1919, tells the story of the race riot that rocked Chicago in the summer of that year. Her first book for elementary readers, Maya and the Robot, is forthcoming in 2020 from Kokila, an imprint of Penguin Random House.Her work has been published in many venues, including The New Yorker, The New York Times, The Atlantic, The Nation, The Washington Post, The New Republic, Poetry Magazine, and the anthology American Journal: Fifty Poems for Our Time, curated by Tracy K. Smith, Poet Laureate of the United States. With Nate Marshall, she co-wrote the play No Blue Memories: The Life of Gwendolyn Brooks, produced by Manual Cinema and commissioned by the Poetry Foundation. She also currently writes the Champions series for Marvel Comics and previously wrote the acclaimed Ironheart series, as well as other projects.

Wild Hundreds is a long love song to Chicago. The book celebrates the people, culture, and places often left out of the civic discourse and the travel guides. Wild Hundreds is a book that displays the beauty of black survival and mourns the tragedy of black death. January 1, 2015 About the Author Nate Marshall is from the South Side of Chicago. He is the editor of The BreakBeat Poets: New American Poetry in the Age of Hip-Hop. His first book, Wild Hundreds, won the Agnes Lynch Starrett Prize and is forthcoming from the University of Pittsburgh Press. His rap album Grown is due out Summer 2015 with his group Daily Lyrical Product. He is a Visiting Assistant Professor at Wabash College. He received his MFA in Poetry at The University of Michigan where he also served as a Zell Postgraduate Fellow. He received his BA at Vanderbilt University. A Cave Canem Fellow, his work has appeared in POETRY Magazine, Indiana Review, The New Republic, [PANK] Online, and in many other publications.He was the star of the award winning full-length documentary Louder Than A Bomb and has been featured on the HBO Original Series Brave New Voices. He is also a Poetry Editor for Kinfolks Quarterly. Nate won the 2014 Hurston/Wright Founding Members Award and the 2013 Gwendolyn Brooks Open Mic Award. He was a finalist for the 2014 Ruth Lilly/Dorothy Sargent Rosenberg Poetry Fellowship. Nate was named a semi-finalist for the 2013 “Discovery”/Boston Review Poetry Contest. He was also a 2013 finalist for the Indiana Review Poetry Prize.Nate has been a teaching artist with organizations such as Young Chicago Authors, InsideOut Literary Arts Project in Detroit, and Southern Word in Nashville. Nate is the founder of the Lost Count Scholarship Fund that promotes youth violence prevention in Chicago. He is a founding member of the poetry collective Dark Noise. Nate has performed poetry at venues and universities across the US, Canada, and South Africa. He is also a rapper.

Journey around the world with this poetry collection celebrating delicious international street food!The world is a delicious place! Come along on an international journey to try a hot pretzel in New York City; saffron tea in Mumbai, India; deep fried scorpions in Beijing, China; and much, much more.This poetry collection celebrates all the different kinds of street food from around the globe, introducing young readers to snacks they know and ones they’ve never heard of—showing that no matter where we live, we all appreciate a yummy treat! April 13, 2021

The poet and founder of the music collective Flowers for the Living pays tribute to all Black women by focusing on visionaries and leaders who are making history right now, including Ava DuVernay, Janelle Monae, Kamala Harris, Misty Copeland, Nikole Hannah-Jones, Robin Roberts, Roxane Gay, and Simone Biles—with this compilation of celebratory odes featuring full-color illustrations by Melissa Koby. Black women are exceptional. To honor how Black women use their minds, talent, passion, and power to transform society, Harold Green began writing love letters in verse which he shared on his Instagram account. Balm for our troubled times, his tributes to visionaries and leaders quickly went viral and became a social media sensation. Now, in this remarkable collection, Green brings together many of these popular odes with never-before-seen works. A timely celebration of contemporary Black figures who are making history and shaping our culture today, Black Roses is divided into five sections—advocates, curators, innovators, luminaries, trailblazers—reflecting the diversity of Black women’s achievements and the depth of their reach. These inspiring changemakers are leaving their mark on the world by creating new beauty in their respective art forms, heading movements, fighting for equality and to change the status quo, and championing new definitions of what’s possible in every meaningful way. Green lifts them up to create meaningful connections between these figures and our own lives and experiences. Black Roses spotlights and urges readers to learn more about Allyson Felix, Angelica Ross, Ava DuVernay, Bisa Butler, Bozoma Saint John, Charisma Sweat-Green, Dr. Eve Ewing, Dr. Janice Jackson, Dr. Johnnetta Cole, Eunique Jones-Gibson, Issa Rae, Janelle Monae, Jennifer Hudson, Jessica Matthews, Kamala Harris, Keisha Bottoms, Kimberly Bryant, Kimberly Drew, Lisa Green, Lizzo, Mandilyn Graham, Mellody Hobson, Michelle Alexander, Misty Copeland, Naomi Beckwith, Nikole Hannah-Jones, Phylicia Rashad, Rapsody, Raquel Willis, Robin Roberts, Roxane Gay, Shellye Archambeau, Simone Biles, Stacey Abrams, Tabitha Brown, Tamika Mallory, Tarana Burke, Tasha Bell, Tomi Adeyemi, and Tracee Ellis Ross. March 15, 2022

This iconic and transformative 25th anniversary edition of the nationally bestselling celebration of joy, creativity, self-love, and female power is updated for new and longtime fans.Discover the succulent woman within with this colorful guide to embracing creativity, sexuality, fear, and healing from the bestselling artist and writer SARK.With her signature “gentle and effervescent” (Julia Cameron, author of The Artist’s Way ) prose and vibrant illustrations, SARK offers us an accessible guide to living life filled to the brim with joy, hope, and self-love. With a new and inspirational chapter, Succulent Wild Woman will effortlessly help you grow into your ripe, juicy, best self. June 14, 2022

An unforgettable narrative collage told in poemsKeesha has found a safe place to live, and other kids gravitate to her house when they just can't make it on their own. They are Stephie – pregnant, trying to make the right decisions for herself and those she cares about; Jason – Stephie's boyfriend, torn between his responsibility to Stephie and the baby and the promise of a college basketball career; Dontay – in foster care while his parents are in prison, feeling unwanted both inside and outside the system; Carmen – arrested on a DUI charge, waiting in a juvenile detention center for a judge to hear her case; Harris – disowned by his father after disclosing that he's gay, living in his car, and taking care of himself; Katie – angry at her mother's loyalty to an abusive stepfather, losing herself in long hours of work and school.Stretching the boundaries of traditional poetic forms – sestinas and sonnets – Helen Frost's extraordinary debut novel for young adults weaves together the stories of these seven teenagers as they courageously struggle to hold their lives together and overcome their difficulties.Keesha's House is a 2004 Bank Street - Best Children's Book of the Year. April 2, 2003

New York Times bestselling author Gabbie Hanna delivers everything from curious musings to gut-wrenching confessionals in her long-awaited sophomore collection of illustrated poetry.In this visually thrilling installment of the inner-workings of Gabbie’s mind, we’re taken on a journey of self-loathing, self-reflection, and ultimately, self-acceptance through deeply metaphorical imagery, chilling twists on child-like rhymes, and popular turns of phrase turned on their heads. Through raw, provocative tidbits, Dandelion explores what it means to struggle with a declining mental health in a world where mental health is both stigmatized and trivialized. The poems range from topics of rage and despair to downright silliness, so if you don’t know whether to laugh or cry, just laugh until you cry.Exclusive bonus content: a collection of uncomfortably honest personal essays about Gabbie’s childhood and relationships. October 13, 2020 About the Author Gabbie Hanna is an American YouTuber with over 6,000,000 subscribers. She is the author of Adultolescence, a comedian, actress, and singer-songwriter.

A prophetic new collection of poems from Shane McCrae, “a shrewd composer of American stories" (Dan Chiasson, The New Yorker )Writing you I give the death I takeI know I should feel wounded by your deathI write to you to make a wound write backShane McCrae fashions a world of endings and infinites in Cain Named the Animal . With cyclical, rhythmic lines that create and re-create images of our shared and specific pasts, McCrae's work moves into and through the wounds that we remember and “strains toward a vision of joy” (Will Brewbaker, Los Angeles Review of Books ).Cain Named the Animal expands upon the biblical, heavenly world that McCrae has been building throughout his previous collections; he writes of Eden, of the lost tribe that watched time enter the garden and God rehearse the world, and of the cartoon torments of hell. Yet for McCrae, these outer bounds of our universe are inseparable from the lives and deaths on Earth, from the mundanities and miracles of time passing and people growing up, growing old, and growing apart. As he writes, “God first thought time itself / Was flawed but time was God’s first mirror.” April 5, 2022

Zeina Hashem Beck writes at the intersection of the divine and the profane, where she crafts elegant, candid poems that simultaneously exude a boundless curiosity and a deep knowingness. Formally electrifying--from lyrics and triptychs to ghazals and Zeina's own duets, in which English and Arabic echo and contradict each other--O explores the limits of language, notions of home and exile, and stirring visions of motherhood, memory, and faith. July 5, 2022 About the Author Zeina Hashem Beck is a Lebanese poet with a BA and an MA in English Literature from the American University of Beirut. Her first poetry collection, To Live in Autumn (The Backwaters Press, 2014), won the 2013 Backwaters Prize, judged by esteemed poet Lola Haskins. It was also a runner up for the Julie Suk Award, a category finalist for the 2015 Eric Hoffer Awards, and has been included on Split This Rock's list of recommended poetry books for 2014. Her chapbook, 3arabi Song, has won the 2016 Rattle Chapbook Prize; it was selected from 1720 submissions. Another chapbook, There Was and How Much There Was, is forthcoming from smith|doorstop as a Laureate's Choice, selected by poet laureate Carol Ann Duffy. Zeina's been nominated for the Pushcart Prize, Best of the Net, and the Forward Prize. Her poems have been published in Ploughshares, Nimrod, Poetry Northwest, River Styx, 32 Poems, The Common, Rattle, Tampa Review, The Rialto, Copper Nickel, Mizna, Sukoon, Magma, and Mslexia, among others. She is the founder of PUNCH, a Dubai-based poetry and open mic collective. Zeina is a strong performer of her poetry, and has been featured in literary festivals in the Middle East, the United Kingdom, and the United States.

The second collection from the acclaimed author of Admission Requirements . March 22, 2022

Winner of the 2007 Pulitzer Prize for Poetry Former U.S. Poet Laureate, Natasha Trethewey’s Native Guard is a deeply personal volume that brings together two legacies of the Deep South. Through elegaic verse that honors her mother and tells of her own fraught childhood, Natasha Trethewey confronts the racial legacy of her native Deep South—--where one of the first black regiments, The Louisiana Native Guards, was called into service during the Civil War. The title of the collection refers to the black regiment whose role in the Civil War has been largely overlooked by history. As a child in Gulfport, Mississippi, in the 1960s, Trethewey could gaze across the water to the fort on Ship Island where Confederate captives once were guarded by black soldiers serving the Union cause. The racial legacy of the South touched Trethewey’s life on a much more immediate level, too. Many of the poems in Native Guard pay loving tribute to her mother, whose marriage to a white man was illegal in her native Mississippi in the 1960s. Years after her mother’s tragic death, Trethewey reclaims her memory, just as she reclaims the voices of the black soldiers whose service has been all but forgotten. Trethewey's resonant and beguiling collection is a haunting conversation between personal experience and national history. March 1, 2006 About the Author Natasha Trethewey is an American poet who was appointed United States Poet Laureate in June 2012; she began her official duties in September. She won the 2007 Pulitzer Prize in Poetry for her 2006 collection Native Guard, and she is the Poet Laureate of Mississippi.

Homie is Danez Smith’s magnificent anthem about the saving grace of friendship. Rooted in the loss of one of Smith’s close friends, this book comes out of the search for joy and intimacy within a nation where both can seem scarce and getting scarcer. In poems of rare power and generosity, Smith acknowledges that in a country overrun by violence, xenophobia, and disparity, and in a body defined by race, queerness, and diagnosis, it can be hard to survive, even harder to remember reasons for living. But then the phone lights up, or a shout comes up to the window, and family—blood and chosen—arrives with just the right food and some redemption. Part friendship diary, part bright elegy, part war cry, Homie is the exuberant new book written for Danez and for Danez’s friends and for you and for yours. January 21, 2020 About the Author Danez Smith is the author of [insert] boy (2014, YesYes Books), a finalist for the Lambda Literary Award and the Norma Farber First Book Award from the Poetry Society of America. Their 2nd collection will be published by Graywolf Press in 2017. Their work has published & featured widely including in Poetry Magazine, Beloit Poetry Journal, Buzzfeed, Blavity, & Ploughshares. They are a 2014 Ruth Lilly - Dorothy Sargent Rosenberg Fellow, a Cave Canem and VONA alum, and a recipient of a McKnight Foundation Fellowship. They are a 2-time Individual World Poetry Slam finalist, placing 2nd in 2014. They edit for The Offing & are a founding member of 2 collectives, Dark Noise and Sad Boy Supper Club. They live in the midwest most of the time.Danez was featured in American Academy of Poet's Emerging Writers Series by National Book Award Finalist Patricia Smith. Like her, Danez bridges the poetics of the stage to that of the page. Danez's work transcends arbitrary boundaries to present work that is gripping, dismantling of oppression constructs, and striking on the human heart. Often centered around intersections of race, class, sexuality, faith, and social justice, Danez uses rhythm, fierce raw power, and image to re-imagine the world as takes it apart in their work.

In this award-winning debut, Sjohnna McCray movingly recounts a life born out of wartime to a Korean mother and an American father serving during the Vietnam War. Their troubled histories, and McCray's own, are told with lyric passion and the mythic undercurrents of discovering one's own identity, one's own desires. What emerges is a self- and family portrait of grief and celebration, one that insists on our lives as anything, please, but singular. Rapture is an extraordinary first collection, with poems of rare grace and feeling. January 1, 2016

With his dazzling ability to set words spinning, Amit Majmudar brings us poems that sharpen both wit and knives as he examines our life in solitary. Equally engaged with human history and the human heart, Majmudar transfigures identity from a locus of captivity to the open field of his liberation. In pieces that include a stunning central sequence, Letters to Myself in My Next Incarnation, the poet is both the Huck and Jim of his own adventures. He is unafraid to face human failings: from Oxycontin addiction to Gujarat rioting, he examines--often with dark comedy--the fragility of the soul, the unchartability of pain, and the reasons we sing and grieve and make war. All-American and multitudinously alone, dancing in his confinement, Majmudar is a poet of exuberance and transcendence: What I love here, / Poems and women mostly, / I know you can't remember, he tells his future self. But they were worthy of my love. August 18, 2020 About the Author Amit Majmudar is the author of The Abundance, Partitions, chosen by Kirkus Reviews as one of the best debut novels of 2011 and by Booklist as one of the year’s ten best works of historical fiction. His poetry has been published in The New Yorker, The Atlantic, and Best American Poetry 2011. A radiologist, he lives in Columbus, Ohio.

Mary Jo Bang's fifth collection, Elegy , chronicles the year following the death of her son. By weaving the particulars of her own loss into a tapestry that also contains the elements common to all losses, Bang creates something far larger than a mere lament. Continually in search of an adequate metaphor for the most profound and private grief, the poems in Elegy confront, in stark terms and with a resilient voice, how memory haunts the living and brings the dead back to life. Within these intimate and personal poems is a persistently urgent, and deeply touching, examination of grief itself. October 16, 2007 About the Author Mary Jo Bang is an American poet. In her most recent collection, The Bride of E, she uses a distinctive mix of humor, directness, and indirection, to sound the deepest sort of anguish: the existential condition. Bang fashions her examination of the lived life into an abecedarius—the title of the first poem, "ABC Plus E: Cosmic Aloneness Is the Bride of Existence," posits the collection's central problem, and a symposium of figures from every register of our culture (from Plato to Pee-wee Herman, Mickey Mouse to Sartre) is assembled to help confront it.Bang is the author of five previous books of poetry: Apology for Want, Louise in Love, The Downstream Extremity of the Isle of Swans, The Eye Like a Strange Balloon and Elegy, which won the 2007 National Book Critics Circle Award in Poetry and was named a 2008 New York Times Notable Book. She’s been the recipient of a Guggenheim Fellowship and a Hodder Fellowship from Princeton University. She has an M.F.A. from Columbia University, an M.A. and B.A. in Sociology from Northwestern University, and a B.A. in Photography from the Polytechnic of Central London. From 1995-2005 she was the poetry co-editor at Boston Review. She lives in St. Louis, Missouri, where she is a Professor of English and teaches in the Creative Writing Program at Washington University.

A deeply wrought and joyful debut poetry collection from an exciting new voice Looping exultantly through the overlapping experiences of girlhood, Blackness, sex, and personhood in America, award-winning essayist and poet Kendra Allen braids together personal narrative and cultural commentary, wrestling with the beauty and brutality to be found between mothers and daughters, young women and the world, Black bodies and white space, virginity and intrusion, prison and freedom, birth and death. Most of all, The Collection Plate explores both how we collect and erase the voices, lives, and innocence of underrepresented bodies—and behold their pleasure, pain, and possibility Both formally exciting and a delight to read, The Collection Plate is a testament to Allen’s place as the voice of a generation—and a witness to how we come into being in the twenty-first century. July 6, 2021

Finalist for the National Book Award in PoetryBrutal Imagination is the work of a poet at the peak of his considerable powers, confronting a crucial the black man in America.“A hymn to all the sons this country has stolen from her African-American families.”— The Village VoiceThis poetry collection explores the vision of the black man in white imagination, as well as the black family and the barriers of color, class, and caste that tear it apart. These two main themes showcase Cornelius Eady’s his deft wit, inventiveness, and skillfully targeted anger, and the way in which he combines the subtle with the charged, street idiom with elegant inversions, harsh images with the sweetly ordinary.Includes poems that inspired the libretto for Eady’s music-drama Running Man, a 1999 Pulitzer Prize finalist. January 15, 2001 About the Author Like Joyce and Tolstoy, Cornelius Eady is an American writer focusing largely on matters of race and society, His poetry often centers on jazz and blues, family life, violence, and societal problems stemming from questions of race and class. His poetry is often praised for its simple and approachable language.

Celebrated for its extraordinary intelligence and exhilarating range, the poetry of Tracy K. Smith opens up vast questions. Such New and Selected Poems , her first career-spanning volume, traces an increasingly audacious commitment to exploring the unknowable, the immense mysteries of existence. Each of Smith’s four collections moves farther when one seems to reach the limits of desire and the body, the next investigates the very sweep of history; when one encounters death and the outer reaches of space, the next bears witness to violence against language and people from across time and delves into the rescuing possibilities of the everlasting. Smith’s signature voice, whether in elegy or praise or outrage, insists upon vibrancy and hope, even―and especially―in moments of inconceivable travesty and grief.Such Color collects the best poems from Smith’s award-winning books and culminates in thirty pages of brilliant, excoriating new poems. These new works confront America’s historical and contemporary racism and injustices, while they also rise toward the registers of the ecstatic, the rapturous, and the sacred―urging us toward love as a resistance to everything that impedes it. This magnificent retrospective affirms Smith’s place as one of the twenty-first century’s most treasured poets. October 5, 2021 About the Author Tracy K. Smith is the author of Wade in the Water; Life on Mars, winner of the Pulitzer Prize; Duende, winner of the James Laughlin Award; and The Body’s Question, winner of the Cave Canem Poetry Prize. She is also the editor of an anthology, American Journal: Fifty Poems for Our Time, and the author of a memoir, Ordinary Light, which was a finalist for the National Book Award. From 2017 to 2019, Smith served as Poet Laureate of the United States. She teaches at Princeton University.

The 2020 Nobel Prize winner Louise Glück's thirteenth book is among her most haunting. Here as in the Wild Iris there is a chorus, but the speakers are entirely human, simultaneously spectral and ancient.Winter Recipes from the Collective is chamber music, an invitation into that privileged realm small enough for the individual instrument to make itself heard, dolente, its line sustained, carried, and then taken up by the next instrument, spirited, animoso, while at the same time being large enough to contain a whole lifetime, the inconceivable gifts and losses of old age, the little princesses rattling in the back of a car, an abandoned passport, the ingredients of an invigorating winter sandwich, a sister's death, the joyful presence of the sun, its brightness measured by the darkness it casts."Some of you will know what I mean," the poet says, by which she means, some of you will follow me. Hers is the sustaining presence, the voice containing all our lifetimes, "all the worlds, each more beautiful than the last." This magnificent book couldn't have been written by anyone else, nor could it have been written by the poet at any other time in her life. October 19, 2021 About the Author American poet Louise Elisabeth Glück served as poet laureate of the United States from 2003 to 2004.Parents of Hungarian Jewish heritage reared her on Long Island. She attended Sarah Lawrence College and later Columbia University.She is the author of twelve books of poetry, including: A Village Life (2009); Averno (2006), which was a finalist for The National Book Award; The Seven Ages (2001); Vita Nova (1999), which was awarded The New Yorker's Book Award in Poetry; Meadowlands (1996); The Wild Iris (1992), which received the Pulitzer Prize and the William Carlos Williams Award of the Poetry Society of America; Ararat (1990), which received the Rebekah Johnson Bobbitt National Prize for Poetry from the Library of Congress. She also published a collection of essays, Proofs and Theories: Essays on Poetry (1994), which won the PEN/Martha Albrand Award for First Nonfiction.In 2001, Yale University awarded Louise Glück its Bollingen Prize in Poetry, given biennially for a poet's lifetime achievement in his or her art. Her other honors include the Lannan Literary Award for Poetry, the Sara Teasdale Memorial Prize (Wellesley, 1986), the Pulitzer Prize for Poetry in 1993 for her collection, The Wild Iris . Glück is the recipient of the National Book Critics Circle Award ( Triumph of Achilles ), the Academy of American Poet's Prize ( Firstborn ), as well as the Massachusetts Institute of Technology Anniversary Medal (2000), and fellowships from the Guggenheim, Rockefeller foundations and the National Endowment for the Arts.In 2020, Glück was awarded the Nobel Prize in Literature, "for her unmistakable poetic voice that with austere beauty makes individual existence universal."Glück also worked as a senior lecturer in English at Williams College in Williamstown, Massachusetts, served as a member of the faculty of the University of Iowa and taught at Goddard College in Vermont. She currently lives in Cambridge, Massachusetts, and teaches as the Rosencranz writer in residence at Yale University and in the creative writing program of Boston University.

Solmaz Sharif’s astonishing first book, Look, asks us to see the ongoing costs of war as the unbearable losses of human lives and also the insidious abuses against our everyday speech. In this virtuosic array of poems, lists, shards, and sequences, Sharif assembles her family’s and her own fragmented narratives in the aftermath of warfare. Those repercussions echo into the present day, in the grief for those killed, in America’s invasions of Afghanistan and Iraq, and in the discriminations endured at the checkpoints of daily encounter.At the same time, these poems point to the ways violence is conducted against our language. Throughout this collection are words and phrases lifted from the Department of Defense Dictionary of Military and Associated Terms; in their seamless inclusion, Sharif exposes the devastating euphemisms deployed to sterilize the language, control its effects, and sway our collective resolve. But Sharif refuses to accept this terminology as given, and instead turns it back on its perpetrators. “Let it matter what we call a thing,” she writes. “Let me look at you.” JUly 5, 2016 About the Author Born in Istanbul to Iranian parents, Solmaz Sharif holds degrees from U.C. Berkeley, where she studied and taught with June Jordan’s Poetry for the People, and New York University. Her work has appeared in The New Republic, Poetry, The Kenyon Review, jubilat, Gulf Coast, Boston Review, Witness, and others. The former managing director of the Asian American Writers’ Workshop, her work has been recognized with a “Discovery”/Boston Review Poetry Prize, scholarships the Bread Loaf Writers’ Conference, a winter fellowship at the Fine Arts Work Center in Provincetown, an NEA fellowship, and a Stegner Fellowship. She has most recently been selected to receive a 2014 Rona Jaffe Foundation Writer’s Award as well as a Ruth Lilly and Dorothy Sargent Rosenberg Fellowship. She is currently a lecturer at Stanford University. Her first poetry collection, LOOK, published by Graywolf Press in 2016, was a finalist for the National Book Award.

"Barter exchanges history for myth, direct speech for epistles, activity for observation . . . breathtaking." ―Claudia Rankine Felix the Rat's hind feetcould be Barbie hands―same pink, sameinjection-molded seaming. ―from "Electronica" The poems in Barter , Monica Youn's exciting first collection, negotiate transactions between scarcity and excess, pornography and abstraction, the thing and the thing seen. Rendered with a dazzling array of structures and allusions, these poems describe―and become―a strange gallery of paintings and portraits. She offers a Polaroid left on a windshield, step-by-step instructions for "Drawing for Absolute Beginners," a stereoscope with a box of slides. Both an homage to and a warning against nonexistent things, Barter introduces a vibrant new voice and a new way of seeing. January 1, 2003

The stunning, startling collection that is also the last work from a major poetA woman named Mildred starts laying eggs after feathers from wild poultry begin coming down the chimney. A man becomes friends with a bank robber who abducts him and eventually rues his captor’s death. A baby is born transparent.James Tate’s work, filled with unexpected turns and deadpan exaggeration, “fanciful and grave, mundane and transcendent,” (New York Times) has been among the most defining and significant of our time. In his last collection before his death in 2015, Tate’s dark yet whimsical humor, his emotional acuity, and his keen ear for the absurd are on full display in prose poems that finely constructed and lyrical, surrealistic and provocative.With The Government Lake, James Tate reminds us why he is one of the great poets of our age and one of the true masters of the form. July 2, 2019 About the Author James Vincent Tate was born in Kansas City, Missouri. He taught creative writing at the University of California, Berkeley and Columbia University, and at the University of Massachusetts, Amherst, where he worked since 1971. He was a member of the poetry faculty at the MFA Program for Poets & Writers, along with Dara Wier and Peter Gizzi.Dudley Fitts selected Tate's first book of poems, The Lost Pilot (1967) for the Yale Series of Younger Poets while Tate was still a student at the University of Iowa Writers' Workshop; Fitts praised Tate's writing for its "natural grace." Despite the early praise he received Tate alienated some of his fans in the seventies with a series of poetry collections that grew more and more strange.He published two books of prose, Dreams of a Robot Dancing Bee (2001) and The Route as Briefed (1999). His awards include a National Institute of Arts and Letters Award, the Wallace Stevens Award, a Pulitzer Prize in poetry, a National Book Award, and fellowships from the Guggenheim Foundation and the National Endowment for the Arts. He was also a Chancellor of the Academy of American Poets.Tate's writing style is difficult to describe, but has been identified with the postmodernist and neo-surrealist movements. He has been known to play with phrases culled from news items, history, anecdotes, or common speech; later cutting, pasting, and assembling such divergent material into tightly woven compositions that reveal bizarre and surreal insights into the absurdity of human nature.

Ilya Kaminsky's astonishing parable in poems asks us, What is silence?Deaf Republic opens in an occupied country in a time of political unrest. When soldiers breaking up a protest kill a deaf boy, Petya, the gunshot becomes the last thing the citizens hear--they all have gone deaf, and their dissent becomes coordinated by sign language. The story follows the private lives of townspeople encircled by public violence: a newly married couple, Alfonso and Sonya, expecting a child; the brash Momma Galya, instigating the insurgency from her puppet theater; and Galya's girls, heroically teaching signing by day and by night luring soldiers one by one to their deaths behind the curtain. At once a love story, an elegy, and an urgent plea, Ilya Kaminsky's long-awaited Deaf Republic confronts our time's vicious atrocities and our collective silence in the face of them. March 5, 2019 About the Author Ilya Kaminsky is the Poetry Editor of Words Without Borders. His awards include a Ruth Lilly Fellowship from Poetry magazine and first place in the National Russian Essay Contest. He is the author of Dancing in Odessa which won the Dorset Prize.

Winner of the 2021 Cave Canem Poetry Prize, selected by Rachel Eliza GriffithsIn her virtuosic debut, Courtney Faye Taylor explores the under-told history of the murder of Latasha Harlins—a fifteen-year-old Black girl killed by a Korean shop owner, Soon Ja Du, after being falsely accused of shoplifting a bottle of orange juice. Harlins’s murder and the following trial, which resulted in no prison time for Du, were inciting incidents of the 1992 Los Angeles uprising, and came to exemplify the long-fraught relationship between Black and Asian American communities in the United States. Through a collage-like approach to collective history and storytelling, Taylor’s poems present a profound look into the insidious points at which violence originates against—and between—women of color.Concentrate displays an astounding breadth of form and experimentation in found texts, micro-essays, and visual poems, merging worlds and bending time in order to interrogate inexorable encounters with American patriarchy and White supremacy manifested as sexual and racially charged violence. These poems demand absolute focus on Black womanhood’s relentless refusal to be unseen, even and especially when such luminosity exposes an exceptional vulnerability to harm and erasure. Taylor’s inventive, intimate book radically reconsiders the cost of memory, forging a path to a future rooted in solidarity and possibility. “Concentrate,” she writes. “We have decisions to make. Fire is that decision to make.” November 1, 2022 About the Author Courtney Faye Taylor is a writer and visual artist. She is the author of Concentrate (Graywolf Press, 2022) which won the Cave Canem Poetry Prize selected by Rachel Eliza Griffiths and was a finalist for the National Poetry Series.Courtney earned her B.A. from Agnes Scott College and her MFA from the University of Michigan Helen Zell Writers’ Program where she received the Hopwood Prize in Poetry. She is also the winner of the 92Y Discovery Prize and an Academy of American Poets Prize. The recipient of residencies and fellowships from Cave Canem and the Charlotte Street Foundation, her writing can be found in Kenyon Review, The Nation, Ploughshares, Best New Poets, The New Republic and elsewhere.As a mixed media visual artist, Courtney pairs photography and found materials with various poetic writing forms. Her visual poems and collages can be found in Poetry Magazine and on display in exhibitions.

Like, that currency of social media, is a little word with infinite potential; it can be nearly any part of speech. Without it, there is no simile, that engine of the lyric poem, the lyre's note in the epic. A poem can hardly exist otherwise. In this new collection, her most ambitious to date, A. E. Stallings continues her archeology of the domestic, her odyssey through myth and motherhood in received and invented forms, from sonnets to syllabics. Stallings also eschews the poetry volume's conventional sections for the arbitrary order of the alphabet. Contemporary Athens itself, a place never dull during the economic and migration crises of recent years, shakes off the dust of history and emerges as a vibrant character.Known for her wry and musical lyric poems, Stallings here explores her themes in greater depth, including the bravura performance Lost and Found, a meditation in ottava rima on a parent's sublunary dance with daily-ness and time, set in the moon's Valley of Lost Things. September 25, 2018 About the Author Alicia Elsbeth Stallings is an American poet and translator. She was named a 2011 MacArthur Fellow.Stallings was born and raised in Decatur, Georgia and studied classics at the University of Georgia, and the University of Oxford. She is an editor with the Atlanta Review. In 1999, Stallings moved to Athens, Greece and has lived there ever since. She is the Poetry Program Director of the Athens Centre. She is married to John Psaropoulos, who is the editor of the Athens News.Stallings' poetry uses traditional forms, and she has been associated with the New Formalism.She is a frequent contributor of poems and essays to Poetry magazine. She has published three books of original verse, Archaic Smile (1999), Hapax (2006), and Olives (2012). In 2007 she published a verse translation of Lucretius' De Rerum Natura (The Nature of Things).

Natasha Trethewey’s poems are at once deeply personal and historical—exploring her own interracial and complicated roots—and utterly American, connecting them to ours. The daughter of a black mother and white father, a student of history and of the Deep South, she is inspired by everything from colonial paintings of mulattos and mestizos to the stories of people forgotten by history. Meditations on captivity, knowledge, and inheritance permeate Thrall, as she reflects on a series of small estrangements from her poet father and comes to an understanding of how, as father and daughter, they are part of the ongoing history of race in America.Thrall confirms not only that Natasha Trethewey is one of our most gifted and necessary poets but that she is also one of our most brilliant and fearless. August 28, 2012 About the Author Natasha Trethewey is an American poet who was appointed United States Poet Laureate in June 2012; she began her official duties in September. She won the 2007 Pulitzer Prize in Poetry for her 2006 collection Native Guard, and she is the Poet Laureate of Mississippi.

In Silverchest, his twelfth book, Carl Phillips considers how our fears and excesses, the damage we cause both to others and to ourselves, intentional and not, can lead not only to a kind of wisdom but also to renewal, maybe even joy, if we’re willing to commit fully to a life in which “I love you / means what exactly?” In poems shot through with his signature mix of eros, restless energy, and moral scrutiny, Phillips argues for the particular courage it takes to look at the self squarely—not with judgment but with understanding—and extend that self more honestly toward others: It’s a risk, there’s a lot to lose, but if it’s true that “we’ll drown anyway—why not in color?” April 2, 2013 About the Author Carl Phillips is the highly acclaimed author of 10 collections of poetry.He was born in 1959 to an Air Force family, who moved regularly throughout his childhood, until finally settling in his high-school years at Cape Cod, Massachusetts. He holds degrees from Harvard University, the University of Massachusetts-Amherst, and Boston University and taught high-school Latin for eight years.His first book, In the Blood, won the 1992 Samuel French Morse Poetry Prize and was heralded as the work of an outstanding newcomer in the field of contemporary poetry. His other books are Cortège (1995), a finalist for both the National Book Critics Circle Award and the Lambda Literary Award in Poetry; From the Devotions (1998), a finalist for the National Book Award in poetry; Pastoral (2000), winner of the Lambda Literary Award; The Tether, (2001), winner of the prestigious Kingsley Tufts Poetry Award; Rock Harbor (2002); The Rest of Love: Poems, a 2004 National Book Award finalist, for which Phillips also won the Theodore Roethke Memorial Foundation Poetry Prize and the Thom Gunn Award for Gay Male Poetry; Riding Westward (2006); Quiver of Arrows: Selected Poems, 1986-2006 (2007); and Speak Low (2009), a 2009 National Book Award finalist. Two additional titles were published in the 2003-04 academic year: a translation of Sophocles' Philoctetes came out in September 2003, and a book of essays, Coin of the Realm: Essays on the Life and Art of Poetry, was published in May 2004. Phillips is the recipient of, among others, a literature award from the American Academy of Arts and Letters, a Guggenheim Fellowship, the Witter Bynner Foundation Fellowship from the Library of Congress, the Academy of American Poets Fellowship, two Pushcart Prizes, and the Academy of American Poets Prize. His poems, essays, and translations have appeared in such publications as The New Yorker, The Paris Review, and The Yale Review, as well as in anthologies, including eight times in the Best American Poetry series, The Best of the Best American Poetry 1988-1997, and The New Bread Loaf Anthology of Contemporary American Poets. He was inducted into the American Academy of Arts and Sciences in 2004 and elected a chancellor of the Academy of American Poets in 2006. He is a Professor of English and of African and Afro-American Studies at Washington University in St. Louis, where he also teaches in the Creative Writing Program.

A suburban park, church, a good job, a cocktail party for the literati: to many, these sound like safe places, but for a young black man these insular spaces don’t keep out the news—and the actual threat—of gun violence and police brutality, or the biases that keeps body, property, and hope in the crosshairs. Continuing conversations begun by Citizen and Between the World and Me, Silencer sings out the dangers of unspoken taboos present on quiet Midwestern cul-de-sacs and in stifling professional settings, the dangers in closing the window on “a rainbow coalition of cops doing calisthenics around/a six-foot, three-hundred-fifty-pound man, choked back into the earth for what/looked a lot, to me, like sport.”Here, the language and cadences of hip-hop and academia meet prayer—these poems are crucibles, from which emerge profound allegories and subtle elegies, sharp humor and incisive critiques. September 5, 2017 About the Author Marcus Wicker is the recipient of a Ruth Lilly Fellowship from the Poetry Foundation, a Pushcart Prize, The Missouri Review's Miller Audio Prize, as well as fellowships from Cave Canem, and the Fine Arts Work Center. His first collection Maybe the Saddest Thing (Harper Perennial), a National Poetry Series winner, was a finalist for an NAACP Image Award. Wicker's poems have appeared in The Nation, Poetry, American Poetry Review, Oxford American, and Boston Review. His second book, Silencer—also an Image Award finalist—was published by Houghton Mifflin Harcourt in 2017 and won the Society of Midland Authors Award, as well as the Arnold Adoff Poetry Award for New Voices. Marcus teaches in the MFA program at the University of Memphis, and he is the poetry editor of Southern Indiana Review.

This is not a story woven around plot, characters, and contrivance. Rather, it is what acclaimed actor Vincent D’Onofrio’s mind produces when on idle, when he is not thinking about servicing a story. His words are, in the purest sense, ideas that fall unexpectedly upon his head, “like an apple from a tree—dropping all at once,” though less about gravity and Newton’s apples, and more about levity. D’Onofrio’s thoughts and images—presented here in all their uninhibited glory—are humorous, honest, abundant, raw, and unfiltered. And all exceedingly enjoyable. The unique design—a paperback with flaps and Chinese binding, all contained in a full-color, hardcover slipcase—offers the book an artistic, collectible feel. May 18, 2021

A dazzling new collection of poetry by Terrance Hayes, the National Book Award–winning author of LightheadIn How to Be Drawn, his daring fifth collection, Terrance Hayes explores how we see and are seen. While many of these poems bear the clearest imprint yet of Hayes’s background as a visual artist, they do not strive to describe art so much as inhabit it. Thus, one poem contemplates theprinciple of blind contour drawing while others are inspired by maps, graphs, and assorted artists. The formal and emotional versatilities that distinguish Hayes’s award-winning poetry are unified by existential focus. Simultaneously complex and transparent, urgent and composed, How to Be Drawn is a mesmerizing achievement. March 31, 2015 About the Author Terrance Hayes is the author of six poetry collections, including American Sonnets for My Past and Future Assassin, How to Be Drawn, and Lighthead, which won the National Book Award. He is a MacArthur Fellow and teaches at the University of Pittsburgh.

I'm made of murderers I'm madeOf nobodies and immigrants and the poorand a whole / Family the mother'sliver and her lungsIn The Gilded Auction Block, the acclaimed poet Shane McCrae considers the present moment in America on its own terms as well as for what it says about the American project and Americans themselves. In the book's four sections, McCrae alternately responds directly to Donald Trump and contextualizes him historically and personally, exploding the illusions of freedom of both black and white Americans. A moving, incisive, and frightening exploration of both the legacy and the current state of white supremacy in this country, The Gilded Auction Block is a book about the present that reaches into the past and stretches toward the future. February 12, 2019

Today my name is colorful.Yesterday my name was dead souls.Tomorrow my name will be lively spirits.My friends think my name is fire.The police think my name is burden.My parents think my name is symphony.Secretly I know my name is anything I want it to be.Paint Me Like I Am is a collection of poems by teens who have taken part in writing programs run by a national nonprofit organization called WritersCorps. To read the words of these young people is to hear the diverse voices of teenagers everywhere.Included are a foreward by acclaimed poet Nikki Giovanni, an essay from Kevin Powell, another poet associated with WritersCorps, and writing tips from WritersCorps instructors.February 18,2003 About the Author WritersCorps is an alliance of creative writing programs in three cities — San Francisco, the Bronx, and Washington, D.C. — with a mission to transform the lives of youth through the written word.Since its inception in 1994, WritersCorps has helped more than 40,000 young people nationwide improve their literacy and self-sufficiency. With its award-winning publications and local and national events, the organization has become a national model in arts and literacy.

A new collection of poetry from one of our most acclaimed contemporary poets, Pulitzer Prize winner Jorie GrahamIn her formidable and clairvoyant new collection, Runaway, Jorie Graham deepens her vision of our futurity. What of us will survive? Identity may be precarious, but perhaps love is not? Keeping pace with the desperate runaway of climate change, social disruption, our new mass migrations, she struggles to reimagine a habitable present—a now—in which we might endure, wary, undaunted, ever-inventive, “counting silently towards infinity.” Graham’s essential voice guides us fluently “as we pass here now into the next-on world,” what future we have surging powerfully through these pages, where the poet implores us “to the last be human.” September 1, 2020 About the Author Jorie Graham was born in New York City in 1950, the daughter of a journalist and a sculptor. She was raised in Rome, Italy and educated in French schools. She studied philosophy at the Sorbonne in Paris before attending New York University as an undergraduate, where she studied filmmaking. She received an MFA in poetry from the University of Iowa.

From a 2021 Whiting Award and Guggenheim Fellow recipient, a "rhapsodic, rigorous poetry collection, which pays homage to everyday Black experience in the U.S." (The New Yorker)Gregory Pardlo described Joshua Bennett's first collection of poetry, The Sobbing School, as an arresting debut that was abounding in tenderness and rich with character, with a virtuosic kind of code switching. Bennett's new collection, Owed, is a book with celebration at its center. Its primary concern is how we might mend the relationship between ourselves and the people, spaces, and objects we have been taught to think of as insignificant, as fundamentally unworthy of study, reflection, attention, or care. Spanning the spectrum of genre and form--from elegy and ode to origin myth--these poems elaborate an aesthetics of repair. What's more, they ask that we turn to the songs and sites of the historically denigrated so that we might uncover a new way of being in the world together, one wherein we can truthfully reckon with the brutality of the past and thus imagine the possibilities of our shared, unpredictable present, anew. September 1, 2020 About the Author Joshua Bennett received his Ph.D. in English from Princeton University. He also holds an M.A. in Theatre and Performance Studies from the University of Warwick, where he was a Marshall Scholar. In 2010, he delivered the Commencement Address at the University of Pennsylvania, from which he graduated with the distinctions of Phi Beta Kappa and magna cum laude

A revelatory work in the tradition of Claudia Rankine's Citizen, DaMaris Hill's searing and powerful narrative-in-verse bears witness to American women of color burdened by incarceration."It is costly to stay free and appear / sane."From Harriet Tubman to Assata Shakur, Ida B. Wells to Sandra Bland and Black Lives Matter, black women freedom fighters have braved violence, scorn, despair, and isolation in order to lodge their protests. In A Bound Woman Is a Dangerous Thing, DaMaris Hill honors their experiences with at times harrowing, at times hopeful responses to her heroes, illustrated with black-and-white photographs throughout.For black American women, the experience of being bound has taken many forms: from the bondage of slavery to the Reconstruction-era criminalization of women; from the brutal constraints of Jim Crow to our own era’s prison industrial complex, where between 1980 and 2014, the number of incarcerated women increased by 700%.* For those women who lived and died resisting the dehumanization of confinement--physical, social, intellectual--the threat of being bound was real, constant, and lethal.In A Bound Woman Is a Dangerous Thing, Hill presents bitter, unflinching history that artfully captures the personas of these captivating, bound yet unbridled African-American women. Hill's passionate odes to Zora Neale Hurston, Lucille Clifton, Fannie Lou Hamer, Grace Jones, Eartha Kitt, and others also celebrate the modern-day inheritors of their load and light, binding history, author, and reader in an essential legacy of struggle. January 15, 2019 About the Author Damaris b. hill, PhD, is an associate professor of creative writing at the University of Kentucky and a former service member of the United States Air Force. She lives in Kentucky.

From funny and fearless entertainment journalist Sesali Bowen, Bad Fat Black Girl combines rule-breaking feminist theory, witty and insightful personal memoir, and cutting cultural analysis for an unforgettable, genre-defining debut.Growing up on the south side of Chicago, Sesali Bowen learned early on how to hustle, stay on her toes, and champion other Black women and femmes as she navigated Blackness, queerness, fatness, friendship, poverty, sex work, and self-love. Her love of trap music led her to the top of hip-hop journalism, profiling game-changing artists like Megan Thee Stallion, Lizzo, and Janelle Monae. But despite all the beauty, complexity, and general badassery she saw, Bowen found none of that nuance represented in mainstream feminism. Thus, she coined Trap Feminism, a contemporary framework that interrogates where feminism and hip-hop intersect.Notes from a Trap Feminist offers a new, inclusive feminism for the modern world. Weaving together searing personal essay and cultural commentary, Bowen interrogates sexism, fatphobia, and capitalism all within the context of race and hip-hop. In the process, she continues a Black feminist legacy of unmatched sheer determination and creative resilience.Bad bitches: this one’s for you. October 5, 2021 About the Author Sesali Bowen is a writer known for her elevated pop culture correspondence. Her writing has appeared in the New York Times and feministing, and she hosts purse first, a podcast about female and queer rappers. Bowen lives in New jersey.

Every Body Looking is a heavily autobiographical novel of a young woman's struggle to carve a place for herself--for her black female body--in a world of deeply conflicting messages.Told entirely in verse, Ada's story encompasses her earliest memories as a child, including her abuse at the hands of a young cousin, her mother's rejection and descent into addiction, and her father's attempts to create a home for his American daughter more like the one he knew in Nigeria. September 22, 2020 About the Author Candice Iloh is a first generation Nigerian-American writer, teaching artist, and youth educator. She is a graduate of Howard University and holds an MFA in writing from Lesley University. Her work has earned fellowships from Lambda Literary and VONA among many others. Her debut novel, Every Body Looking, was a finalist for the National Book Award.

Jericho Brown’s daring new book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown’s poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we’ve become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown’s mastery, and his invention of the duplex―a combination of the sonnet, the ghazal, and the blues―testament to his formal skill. The Tradition is a cutting and necessary collection, relentless in its quest for survival while revealing in a celebration of contradiction. April 2, 2019 About the Author Jericho Brown worked as the speechwriter for the Mayor of New Orleans before receiving his PhD in Creative Writing and Literature from the University of Houston. He also holds an MFA from the University of New Orleans and a BA from Dillard University. The recipient of the Whiting Writers Award, the Bunting Fellowship from the Radcliffe Institute at Harvard University, and two travel fellowships to the Krakow Poetry Seminar in Poland, Brown teaches at the University of San Diego where he is the Director of the Cropper Center for Creative Writing. His poems have appeared in The Iowa Review, jubilat, Oxford American, A Public Space, and several other journals and anthologies. PLEASE, his first book, won the 2009 American Book Award.

A National Book Critics Circle 2014 Finalist for PoetryThrough dream song and elegy, alternate takes and tempos, prizewinning poet Willie Perdomo’s third collection crackles with vitality and dynamism as it imagines the life of a percussionist, rebuilding the landscape of his apprenticeship, love, diaspora, and death. At the beginning of his infernal journey, Shorty Bon Bon recalls his live studio recording with a classic 1970s descarga band, sharing his recollection with an unidentified poet. This opening section is followed by a call-and-response with his greatest love, a singer named Rose, and a visit to Puerto Rico that inhabits a surreal nationalistic dreamscape, before a final jam session where Shorty recognizes his end and a trio of voices seek to converge on his elegy. March 25, 2014 About the Author Willie Perdomo is the author Where a Nickel Costs a Dime and Smoking Lovely, which received a PEN America Beyond Margins Award. He has also been published in The New York Times Magazine and Bomb and his children's book, Visiting Langston, received a Coretta Scott King Honor. He is a NYFA Arts Fellowship winner, Pushcart Prize nominee, a Urban Artists Initiative/NYC grant recipient and was recently a Woolrich Fellow in Creative Writing at Columbia University. He is currently Artist-in-Residence, Workspace, Lower Manhattan Cultural Council. He is co-founder/publisher of Cypher Books.